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Jane Austen Forum » General Discussion

Jane Austen and Gardening

(28 posts) (2 voices)
  • Started 4 years ago by Claudine
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  1. Claudine

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    Here are some good links and personal faves

    An article on a person who volunteered at Chawton
    http://www.bellaonline.com/articles/art19753.asp

    Some lovely pictures of Jane's Chawton
    http://www.printsgeorge.com/Jane_Austen-gardens.htm

    Article on gardening
    http://www.janeausten.co.uk/magazine/page.ihtml?pid=421&step=4

    Regency History and Property and other great articles!

    http://www.janeausten.co.uk/magazine/index.ihtml?id=37&step=2

    More lovely pictures of greenspace of Chawton
    http://www.travelblog.org/Photos/2292841.html

    http://www.panoramio.com/photo/13605893

    I did my own bit as a volunteer for The National Trust as a volunteer. I highly recommend it.
    http://www.nationaltrust.org.uk/main/w-hanburyhall

    Books from the Centre bookshop on gardening and travel around England
    http://giftshop.janeausten.co.uk/acatalog/info_240.html

    http://giftshop.janeausten.co.uk/acatalog/info_195.html


    http://giftshop.janeausten.co.uk/acatalog/info_47.html

    I hope to have an article in the near future about gardening in the 17th century from my friends at the trust TBA :)

    'Ye fallen avenues, once more I mourn your fate unmerited.' "Cowper
    Claudine
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    Jane Austen Centre Online Forum
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    Posted 3 years ago #
  2. Anonymous

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    Theories on Jane Austen's brilliant descriptions of the outdoors and her characters

    Gilpin and Jane ~
    She was a warm and judicious admirer of landscape, both in nature and on canvas. At a very early age she was enamoured of Gilpin on the Picturesque; and she seldom changed her opinions either on books or men.
    As we know from her brother's "Biographical Notice," Jane Austen read William Gilpin may refer to:
    William Gilpin, the English artist (especially in watercolour), writer and clergyman.
    William Gilpin, the first governor of the Colorado Territory.
    and knew about his prescribed ways of viewing the landscape through a Claude Glass
    Black mirror redirects here. See black mirror (disambiguation) for other uses.

    Claude glass ~

    A Claude glass (or Black Mirror) is a small mirror, slightly convex in shape, with its surface tinted a dark colour. , a mirror device that allowed the viewer to frame the scene, leaving out the areas considered less than picturesque. Gilpin recommended that travelers use a Claude glass to frame the landscape, emphasizing the "correct" picturesque scene. His books instructed the viewer where to stand, what to keep in the view, and what to leave out. As a girl, Jane Austen "learnt to love a Hyacinth, in so to speak, in the Gilpinesque way, and she also knew early on how to mock such artificial constraints, taking care to place her heroines in locations which were geographically (and emotionally) advantageous to them.

    Northanger Abbey ~
    As her early heroine, Catherine Morland, learned the conventions of landscape art from lover/mentor Henry Tilney, so Jane Austen learned from Gilpin how the male proprietary landscape owners viewed the scene.
    Jane Austen knew all the "rules" of the conventional picturesque and could use them to describe a landscape such as Pemberley (which, in many ways, is almost cinematic in its movement through the grounds of the estate to the house itself). Yet she knew very well how to mock the rule-bound scene, as she did when Catherine Morland "voluntarily rejected the whole city of Bath as unworthy to make a landscape"
    The most valuable spaces for her heroines, therefore, become symbols of the withdrawn and liberated self. Whatever their physical size, they allow their tenants an expansive exercise of imagination and support the heroines' desire to project a fExamples of such attractive refuges in Austen range from Kitty's bower to the cottage at Henry Tilney's parsonage, so admired by Catherine, to the hedgerow

    Persuasion ~
    Fence or boundary formed by a dense row of shrubs or low trees. Hedgerows enclose or separate fields, protect the soil from wind erosion, and serve to keep cattle and other livestock enclosed. hiding place of Anne Elliot

    Mansfield Park ~
    Fanny Price's position in the wilderness at Sotherton represents another example of prospect/refuge in the landscape. In this edge-of-the-wood refuge, Fanny is situated to know more about what is happening around her than any of the other characters, who are dashing about, losing themselves and any prospect they might have had on the scene. As Fanny herself puts it: "To sit in the shade on a fine day, and look upon verdure, is the most perfect refreshment" (96). As the moral center of the novel, Fanny sits in this zone of safety and comes in contact with the others and is the only one of all who actually retains both prospect and refuge.

    Persuasion ~ 2 ~
    But the primary example of a heroine in an ideal position to hide and yet to seek is Anne Elliot in the hedgerow. From this refuge, she has a prospect on the conversation of Louisa Musgrove and Captain Wentworth. From this conversation, she learns that Louisa has told Wentworth that Anne has refused Charles Musgrove's marriage proposal, even after she had refused Wentworth. Now he knows Anne rejected another, and Anne is aware that Wentworth knows this fact as well. As in Mansfield Park, only the heroine selects the refuge; the other female characters, such as Mary Musgrove,
    But what happens when the female characters stray from the zone of safety? A landscape of exposure becomes evident as soon as the characters in Persuasion go to Lyme and, of course, Louisa is the one who ignores this hazard. The Cobb retains all the aspects which geographer Appleton describes as a zone of exposure, hazardous in every way to the woman who does not take heed


    Of course, we all know the story of Captain Wentworth reluctantly jumping Louisa Musgrove down the slick Granny's Teeth, narrow steps proceeding from the top level of the seawall
    Anne understands how foolish and dangerous Louisa's position is, and although she cannot stop Louisa, Anne is the only one with the presence of mind and to direct the rescue.

    Emma ~
    Yet another major exposure scene is Box Hill. The narrator of Emma describes "a principle of separation" which is "too strong for any fine prospects ... to remove" (367). At Box Hill, Emma, does not recognize the hazardous zone of exposure--in this case she is not subject to physical danger but to social censure for her cruel remarks made to Miss Bates , Katherine Lee 1859-1929.

    American educator and writer best known for her poem "America the Beautiful," written in 1893 and revised in 1904 and 1911. in the presence of their friends. The landscape itself at Box Hill is surprisingly exposed. On the top of the hill there is little wood and, on one side, there is nothing but a vast exposed prospect with no refuge. On the other side of the hill is a tangle of woods and no prospect. The lack of the two in combination is what makes this scene a true zone of exposure for Emma.

    Northanger Abbey ~2~
    "'What beautiful hyacinths!--I have just learnt to love a hyacinth'" (174), Catherine tells Henry the morning after all the imaginative terror of a truly gothic storm at Northanger Abbey.

    The medieval house where Catherine Morland imagines dungeons, ghosts, and mysterious events.
    In this scene we discover how one of Austen's youngest and most naive heroines begins to understand "felicitous spaces" on her own terms. In this conversation, we find that Catherine cannot tell if the love of hyacinths comes by "accident or argument." When Henry tells her that her love of flowers is "good for her" because it will cause her to go outdoors more, she dismisses this idea by saying that "the pleasure of walking and breathing fresh air is enough" (174). Henry persists by saying that ' The mere habit of learning to love is the thing; and a teachableness of disposition in a young lady is a great blessing'" (174). But Catherine is no longer as receptive to a rule-bound Gilpinesque education in landscape, as she had been when she learned to reject Bath. Now she realizes the "teacheablehess" proceeds from the landscape itself, and, from this point in the novel on, she selects her own zones of safety.

    Jane and her love of the outdoors ~

    Jane Austen, fortunately for her heroines, has discovered a way for them to see and to be in the landscape, while avoiding both the male landscape proprietor view of the scene and the position of passive woman who "becomes one with nature." From Kitty to Anne Eliott, the heroines of Jane Austen's fiction recognize the scenes of refuge and prospect that release in them a new feeling of confidence and power. In her use of prospect/refuge landscapes for her novelistic heroines, Jane Austen allows these women to find their own "felicitous space."

    For more reading and info ~

    [url]http://www.thefreelibrary.com/%22I+have+just+learnt+to+love+a+hyacinth%22:+Jane+Austen's+heroines+in...-a0135180159[/url]


    --very interesting reading this material on how Jane developed her insight into using the outdoors to present characters and events in stories.

    Stella
    Posted 3 years ago #
  3. Anonymous

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    Colquhuon, Kate. "The Busiest Man in England" A Life of Joseph Paxton, Gardener, Architect & Victorian Visionary. Paxton became head gardener and architect at Chatsworth, later designed the Crystal Palace for the Exhibition of 1851. This is the story of his life, personal and public. Boston: 2006

    Turner, Roger. Capability Brown and the Eighteenth-Century English Landscape. 1985,
    Williamson, Tom. Polite Landscapes: Gardens & Society in Eighteenth-Century England.


    http://www.janeaustenbooks.net/catalog/historyculture.html
    Posted 3 years ago #
  4. Claudine

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    Saltram features heavily in
    http://www.guardian.co.uk/film/anglee   1995 film of http://www.guardian.co.uk/books/janeausten"][COLOR=#005689]Jane Austen Sense and Sensibility, as Norland Park, the lost home of the Dashwood girls (Emma Thompson and Kate Winslet). The interiors are the work of Robert Adam, often described as the greatest architect of the late 18th century. Once the seat of the earls of Morley, the estate was passed to the National Trust in 1957, and both the house and its grounds have been kept in immaculate condition

    http://www.guardian.co.uk/travel/2009/jun/07/sense-sensibility-saltram-walking-guide

    http://en.wikipedia.org/wiki/Robert_Adam

    http://en.wikipedia.org/wiki/Earl_of_Morley

    Posted 3 years ago #
  5. Claudine

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    These are clips of artworks of landscape and streets in the time of Victorian England I found fascinating;

    Scans from a book by Jarrold & Sons Ltd of Norwich published c.1905
    Stratford Upon Avon, Warwick, Nuneaton area with George Eliot connections, Kenilworth, Stoneleigh Abbey & Leamington Spa
    Also a recent feature on this blog will get us in the mood for Hallows Eve! and for Northanger Abbey as this months feature theme on Crosswords

    [URL="http://joybertofcoventry.blogspot.com/"][/COLOR][/URL]

    http://www.youtube.com/watch?v=EMQ3dHqY8NI

    [URL="http://joybertofcoventry.blogspot.com/"][COLOR=#0033cc]http://joybertofcoventry.blogspot.com/
    [/URL]
    Posted 3 years ago #
  6. Claudine

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    In this marvelous program we combine everyone’s fascination with Jane Austen with some of the most beautiful scenery, exquisite villages and gardens in England. Follow in Jane Austen’s footsteps, walk where she has walked, stand where she must have stood, and tread where she has trod. See some of the incredible locations from the film versions of her novels, and just imagine… Explore and experience the countryside that inspired her to write Northanger Abbey, Sense and Sensibility, Emma, Mansfield Park, Persuasion and Pride and Prejudice

    http://www.tripology.com/trip-upload/vacation-uk-jane-austen-garden-tour-3598/#full-trip-description
    Posted 3 years ago #
  7. Anonymous

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    Jane's love of the gardens and the outdoors, here a selection of fun quotes from short stories of Juvenilia and the novels. See if you can figure out which book they are from ;)

    These and more quotes will be featured in the coming months to test your reader savvy!


    1. Oh! yes, I am quite aware of that. It is the garden of England, you know. Surry is the garden of England.


    2. Yes; but we must not rest our claims on that distinction. Many counties, I believe, are called the garden of England, as well as Surry. No, I fancy not, replied Mrs. ____, with a most satisfied smile.
    I never heard any county but Surry called so.

    3. There is to be no form or parade--a sort of gipsy party. We are to walk about your gardens, and gather the strawberries ourselves, and sit under trees;--

    4. The best fruit in England--every bodys favourite--always wholesome.--These the finest beds and finest sorts.--Delightful to gather for ones self-- the only way of really enjoying them.--Morning decidedly the best time--never tired--every sort good--hautboy infinitely superior--no comparison--the others hardly eatable--hautboys very scarce--Chili preferred--white wood finest flavour of all--price of strawberries in London--abundance about Bristol--Maple Grove--cultivation--beds when to be renewed--gardeners thinking exactly different--no general rule--gardeners never to be put out of their way--delicious fruit only too rich to be eaten much of--inferior to cherries--currants more refreshing--only objection to gathering strawberries the stooping glaring sun--tired to death--could bear it no longer--must go and sit in the shade.
    The considerable slope, at nearly the foot of which the Abbey stood, gradually acquired a steeper form beyond its grounds; and at half a mile distant was a bank of considerable abruptness and grandeur, well clothed with wood;--and at the bottom of this bank, favourably placed and sheltered, rose the Abbey Mill Farm, with meadows in front, and the river making a close and handsome curve around it.


    5. If it had not been for that, we should have carried on the garden wall, and made the plantation to shut out the church-yard, just as Dr. Grant has done. We were always doing something, as it was. It was only the spring twelvemonth before Mr. Norris's death, that we put in the apricot against the stable wall, which is now grown such a noble tree, and getting to such perfection, Sir," addressing herself then to Dr. Grant.

    6. "The soil is good; and I never pass it without regretting, that the fruit should be so little worth the trouble of gathering." "Sir, it is a moor park, we bought it as a moor park, and it cost us--that is, it was a present from Sir Thomas, but I saw the bill, and I know it cost seven-shillings, and was charged as a moor park.

    7. "You were imposed on, Ma'am," replied Dr. Grant, "these potatoes have as much the flavour of a moor park apricot, as the fruit from that tree. It is an insipid fruit at the best; but a good apricot is eatable, which none from my garden are." "The truth is, Ma'am," said Mrs. Grant, pretending to whisper across the table to Mrs. Norris, "that Dr. Grant hardly knows what the natural taste of our apricot is; he is scarcely ever indulged with one, for it is so valuable a fruit, with a little assistance, and ours is such a remarkably large, fair sort, that what with early tarts and preserves, my cook contrives to get them all."


    8. Twickenham for us all to spend our summers in; and my aunt and I went down to it quite in raptures; but it being excessively pretty, it was soon found necessary to be improved; and for three months we were all dirt and confusion, without a gravel walk to step on, or a bench fit for use. I would have every thing as complete as possible in the country, shrubberies and flower gardens, and rustic seats innumerable; but it must be all done without my care

    9. "I was out above an hour. I sat three quarters of an hour in the flower garden, while Fanny cut the roses, and very pleasant it was I assure you, but very hot. It was shady enough in the alcove, but I declare I quite dreaded the coming home again."
    "______ has been cutting roses, has she?"
    "Yes, and I am afraid they will be the last this year. Poor thing! She found it hot enough, but they were so full blown, that one could not wait."

    10. Between ourselves, _______. nodding significantly at his mother, it was cutting the roses, and dawdling about in the flower-garden, that did the mischief." 'I am afraid it was, indeed," said the more candid Lady _______, who had overheard her, "I am very much afraid she taught the head-ache there, for the heat was enough to kill any anybody. It was as much as I could bear myself.

    11. "This is insufferably hot," said Miss ______ when they had taken one turn on the terrace, and were drawing a second time to the door in the middle which opened to the wilderness. Shall any of us object to being comfortable? Here is a nice little wood, if one can but get into it. What happiness if the door should not be locked!--but of course it is, for in these great Places, the gardeners are the only people who can go where they like."

    12. "My dear, it is only a beautiful little heath, which that nice old gardener would make me take; but if it is in your way, I will have it in my lap directly

    13. "I am so glad to see the evergreens thrive!" said _______ in reply. "My uncle's gardener always says the soil here is better than his own, and so it appears from the growth of the laurels and evergreens in general.--The evergreen!--How beautiful, how welcome, how wonderful the evergreen!--When one thinks of it, how astonishing a variety of nature!--In some countries we know the tree that sheds its leaf is the variety, but that does not make it less amazing, that the same soil and the same sun should nurture plants differing in the first rule and law of their existence. You will think me rhapsodizing; but when I am out of doors, especially when I am sitting out of doors, I am very apt to get into this sort of wondering strain. One cannot fix one's eyes on the commonest natural production without finding food for a rambling fancy."

    14. "The farm-yard must be cleared away entirely, and planted up to shut out the blacksmith's shop. The house must be turned to front the east instead of the north--the entrance and principal rooms I mean must be on that side where the view is really very pretty; I am sure it may be done. And there must be your approach--through what is at present the garden. You must make you a new garden at what is now the back of the house; which will be giving it the best aspect in the world--sloping to the south-east. The ground seems precisely formed for it. I rode fifty yards up the lane between the church and the house in order to look about me; and saw how it might all be. Nothing can be easier. The meadows beyond what will be the garden, as well as what now is, sweeping round from the lane I stood in to the north east, that is, to the principal road through the village, must be all laid together of course; very pretty meadows they are, finely sprinkled with timber. They belong to the living, I suppose. If not, you must purchase them.

    15. She was as welcome to wish herself there, as to be there.
    It was sad to ______ to lose all the pleasures of spring. She had not known before what pleasures she had to lose in passing March and April in a town. She had not known before, how much the beginnings and progress of vegetation had delighted her.--What animation both of body and mind, she had derived from watching the advance of that season which cannot, in spite of its capriciousness, be unlovely, and seeing its increasing beauties, from the earliest flowers, in the warmest divisions of her aunt's garden, to the opening of leaves of her uncles plantations, and the glory of his woods
    Posted 3 years ago #
  8. Claudine

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    Since you are in the area of Bath and the Jane Austen Centre why not visit this gallery and other notable places in Bath
    VICTORIA ART GALLERY
    Bridge Street, Bath, BA2 4AT
    The Victoria Art Gallery is situated at the corner of the Pulteney Bridge this fine Victorian building was built in 1897 to celebrate Queen Victoria’s diamond jubilee.

    It is the largest gallery in Bath and houses some of the finest paintings in the Britain.
    The collection includes works by Gainsborough, Sickert and Zoffany .
    With a superb collection ranging from the 15th century to the present day the gallery attracts many visitors. Also on show are visiting exhibits, which change on a regular basis.
    A statue of Queen Victoria is in a niche on the façade of the building; Whilst named after the Queen, the gallery nor Bath was ever visited by her.
    The Victoria Art Gallery is the second most visited museum in Bath with 1,170,500 visitors a year, the gallery is known for its friendly atmosphere, an exciting and varied programme of exhibitions and stunning permanent collection from Turner and Gainsborough to the moderns.
    Admission is free. Open throughout the year with the exception of 25th and 26th of December.
    Hours of opening are - Tuesday to Saturday 10am to 5.30 pm, Sunday 1.30pm to 5pm
    Closed on Mondays except Bank Holidays

    http://www.cotswolds.info/places/bath/places-to-visit.shtml#victoria_art_gallery

    Posted 3 years ago #
  9. Anonymous

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    "Mr Collins invited them to take a stroll in the garden, which was large and well laid out, and to the cultivation of which he attended to himself. To work in his garden was one of his respectable pleasures ... Here, leading the way through every walk and cross walk, and scarcely allowing them an interval to utter the praises he asked for, every view was pointed out with a minuteness which left beauty entirely behind."


    Pride and Prejudice - Jane Austen (1775-1817)

    In 1765 Sir Brook Bridges, 3rd Baronet, married Fanny Fowler who was a co-heiress of the ancient Norman barony of FitzWalter. It subsequently lapsed as there were no heirs. Their daughter, Elizabeth, married Edward Austen in 1791, brother of the famous author Jane Austen. Edward Austen and his young wife spent their early married life in a house on the Goodnestone estate. Elizabeth was a favourite relative for Jane Austen (her daughter Fanny later became one of Jane's favourite correspondents) and Jane was a regular guest at Goodnestone during their years there. It is significant that she began writing her first novel, Pride and Prejudice, immediately after staying at Goodnestone in 1796.

    More on this and Goodnestone Park see links below for tours and info

    http://www.sisley.co.uk/goodnestone.shtml
    Posted 2 years ago #
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    Gardens played a key role in Jane Austen's novels – and her life. A new book explains how to recreate their Regency splendour Date: 20 June 2009

    By Louisa Pearson
    If you've read even one Jane Austen novel, you'll know that the outdoors plays a role almost as important as her characters. Jumbled cottage gardens, formal town gardens and sweeping grand estates provide the backdrop for everyday life, social occasions and, of course, romance.
    Jane Austen didn't just use gardens as a literary device, she cherished them in her own personal life. Austen's interest in horticulture and use of gardens in her novels is the subject of a new book by writer and gardener Kim Wilson. In the Garden with Jane Austen takes us on a stroll through the gardens of Austen's day (some of which, happily, still exist), as well as revealing how we can take inspiration from Austen in our modern-day green spaces.

    "Her letters are where I first noticed her love of gardens," says Wilson. "She often wrote to her sister, Cassandra, about the Austen family's gardens and their plans for improving them. My favourite garden quote in her letters is what she said about her brother's garden in London: "The garden is quite a love… I go and refresh myself every now and then, and then come back to Solitary Coolness."

    The Austen family moved home several times during Jane's life, tending town gardens in Bath and Southampton, and country ones in Hampshire. After the death of her father in 1805, Austen moved with her mother and sister to Chawton Cottage, on her brother's Hampshire estate. Although a cottage in name, it had several acres of grounds, including orchards and a kitchen garden where the family planted peas, tomatoes, potatoes, gooseberries, currants and strawberries, as well as a shrubbery "very gay with Pinks and Sweet Williams". Today the house and garden is home to the Jane Austen's House Museum.

    "Many plants growing within gardens of the time were wildflowers, or even weeds by today's standards," says Celia Simpson, head gardener at the museum. "Most country cottage gardens would have been a complete mix of wildflowers, cultivated flowers, fruit and vegetable plants."

    Wilson says that in Austen's day, gardens were very much an indicator of social status. "Each family's garden reflected not only their needs but, if they had enough money, their social aspirations," she says. The poor cottagers of the time were mostly concerned with growing food and having a place to keep their chickens whereas wealthier families would have had kitchen gardens, but also often extensive pleasure grounds, which were places to display their wealth and taste.

    "Even middle-class families such as the Austens decorated their properties with many of the same garden features that would have been in the pleasure grounds of the rich, such as shrubberies and summer houses," says Wilson.

    Gardens played a major role in all six of Austen's novels. Wilson highlights Mr Rushworth's old-fashioned garden and park in Mansfield Park, waiting to be "improved", the parsonage garden of Mr Collins in Pride and Prejudice and the boastful General Tilney's acres of kitchen garden in Northanger Abbey. "Gardens are often featured in the novels from Jane Austen's day," says Wilson. "They are convenient places for the heroines to talk privately (and maybe cuddle) with the hero, and to escape from the villain by hiding in the shrubbery."

    She also points out that the outdoors was where the heroines could escape from their families and think about their problems. "Most of Austen's proposal scenes take place outside, which is understandable," she says. "It's hard to imagine Mr Darcy proposing to Elizabeth in front of Mrs Bennet."

    If there's one garden feature that seemed to capture Austen's imagination, it was shrubbery. Walks through carefully arranged trees and shrubs were seen as vital to health as well as providing an attractive landscaping element. "People in Jane Austen's time thought that wet feet could quickly kill you, and the shrubberies usually had nice, dry, gravel paths that were seen as healthy places to exercise," says Wilson. "They also provided some privacy, a place where people could walk and talk without being overheard."

    Jane Austen was not a great fan of city life, but her garden in Bath provided an antidote to the smoke and noise of an urban area. At No 4 The Circus in the city, headquarters of the Museums Service, a Georgian-style town garden can be found – similar to that which Jane Austen might have experienced. Archaeologists dug up the ground and found a formal garden just over a foot below the surface, complete with paths, flower beds and gravel. It has now been planted with heritage shrubs and flowers, with clipped box hedges and trellises, giving a flavour of a Georgian Bath garden.

    "Many of the historic garden sites are faithful recreations and give a very good sense of what Jane Austen would have experienced," says Wilson. "Other sites are more interpretive by necessity. It's interesting to see the choices the managers and gardeners of the sites have made. For example, the garden at Stoneleigh Abbey (the Hampshire estate of Austen's cousin) follows the original garden plan closely, but uses modern, disease-resistant varieties. At Chawton Cottage, the gardener uses only varieties known in Austen's time."

    If you love the idea of creating a Jane Austen-era garden at home, the book includes planting plans for a variety of gardens, from the cheerful cottage garden filled with hollyhocks, lady's mantle and geraniums to a formal town garden with box, jasmine and English lavender. "Some of the smaller garden plans of the time work very well in modern properties, or just a small section of a larger plan can be used," says Wilson, who is currently turning an area of her own garden into a small parterre garden modelled on a tiny corner of a Regency flower garden plan. "I'm going to do my best to use varieties that Jane Austen would have known," she says. "There are so many varieties of heritage plants and seeds available now, even at local garden centres. But if I had a grand estate, I might be tempted to imitate Mr Darcy's gardens at Pemberley."

    In the Garden with Jane Austen is published by Frances Lincoln, priced £14.99. For more on Chawton Cottage, visit http://www.jane-austens-house-museum.org.uk

    http://thescotsman.scotsman.com/books/Gardens-played-a-key-role.5379529.jp

    Posted 2 years ago #
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    Hanbury Hall ~ National Trust

    When Thomas Vernon commissioned Hanbury Hall to be built near Droitwich Spa, he employed only the best designers and artisans to create this lovely William and Mary-style mansion and gardens. Thomas Vernon was a wealthy lawyer and MP for Worcester and the elegant house remained in his family for almost 300 years.

    Sir James Thornhill, best known for his magnificent murals in the Painted Hall at Greenwich, created the baroque staircase wall paintings and ceilings which draw admiration from most visitors after their extensive restoration work.

    George London, the eminent garden designer of the day was called in to design the formal gardens including a parterre, fruit garden, a wilderness and a bowling green. Unfortunately with changing fashions, by the

    1770s it has all been ripped out and changed to a more natural landscaping plan.

    However, using James Dougherty's 1731 garden survey and funded in part by an EU grant, the 8 hectare (20 acre) formal gardens were restored back to their original grand state in the 1990s. The gardens are a truly spectacular sight and are an unforgettable part of any visit along with the 1740 orangery and the ancient ice house.

    The red brick house with its hipped roof, central cupola and dormer windows still makes an impressively grand statement with its pedimented entrance on Corinthian pillars.

    Inside, a guided tour of the house will reveal the magnificent Hercules Room and the recreated Gothic corridor. The house has a fine collection of 18th century furniture, a collection of English porcelain and the walls are decorated with colourful Dutch flower paintings. These were not the original contents of the house but are largely from a collection left to the National Trust by Mr. R.S Watney.

    Unfortunately most


    of Hanbury Hall's original contents were sold in the 1790s after a disastrous marriage between Emma Vernon and Henry Cecil, Lord Exeter. Despite their considerable joint incomes, the couple fell deeply into debt. Emma began an affair with the local vicar of Hanbury Church and eventually they eloped, leaving Henry to deal with the debts as best he could.

    Many of the original family portraits have since been recovered to decorate this fine country house. The lavishly decorated bed chambers have also been authentically furnished to recreate their former opulent style.

    Hanbury Hall puts on a busy events programme throughout the year with themed weekends, art exhibitions and theatre performances to add value to any visit. There is a playground for children and visitors are welcome to try their hand at bowls on the 18th century bowling green.

    With a garden shop, café and restaurant, countryside walks and extensive grounds covering 162 hectares (400 acres) to explore, it is very easy to while away a whole day at Hanbury Hall.

    Opening Times


     
    Hall
    29th May - 30th October:
    2.00pm - 5.00pm Wednesday and Sunday

    Gardens and Tea-rooms
    28th May - 30th October:
    Wednesday - Sunday 11.00am - 5.00pm.

    Please Note:
    Gardens open Bank Holidays. Last admission 30 minutes before closing


    http://www.aboutbritain.com/HanburyHall.htm

    Posted 1 year ago #
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    The people who have made Box Hill special




    Victorian visitors to Box Hill walking uphill arm-in-arm, with straw hats in the sun.<!--

    The Burford Spur remains the same, our visitors look a little different


    It’s the people in Box Hill's history that make it such a special place. Our viewpoint is dedicated to the generous city financier Leopold Salomons who bought 230 acres of Box Hill in 1914 and donated it to the National Trust to protect it from development.

    From books....
    Box Hill has a long history of being popular with creative society and has inspired some classic writings. John Keats, Daniel Defoe, George Meredith and Robert Louis Stevenson were all visitors. J.M. Barrie used to sit at the bottom of the same slope, getting inspiration for his classic book Peter Pan.

    In Jane Austen's book Emma, the famous picnic scene was set on the Burford Spur. ‘Emma had never been to Box Hill; she wished to see what everybody found so well worth seeing.’

    to television...
    John Logie Baird, the inventor of television, lived in Swiss Cottage at the top of Box Hill. He conducted his early experiments in television broadcasting in the 1930s from the summit of Box Hill to the valley below.

    to the weird and wonderful
    Perhaps Box Hill's strangest character was Major Peter Labelliere who, at his own request, was buried upside down on the Hill. He believed ‘the world is turned topsy-turvy therefore he would be the right way up in the end.’

    His other dying wish was for the youngest son and daughter of his land lady to dance on his coffin. During the burial someone stole the wooden bridge over the River Mole. So the mourners had to wade through the river or take a lengthy detour home.

    http://www.nationaltrust.org.uk/history/view-page/item424363/291258/

    http://www.nationaltrust.org.uk/wildlife/view-page/item463132/291272/

    Posted 12 months ago #
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    Jane Austen’s Flower Garden

    Posted by Laura Boyle | Published: June 20, 2011

     

    Our garden is putting in order by a man who bears a remarkably good character, has a very fine complexion, and asks something less than the first. The shrubs which border the gravel walk, he says, are only sweetbriar and roses, and the latter of an indifferent sort; we mean to get a few of a better kind, therefore, and at my own particular desire he procures us some syringas. I could not do without a syringa, for the sake of Cowper’s line. We talk also of a laburnum. The border under the terrace wall is clearing away to receive currants and gooseberry bushes, and a spot is found very proper for raspberries.
    Jane Austen to Cassandra
    February 8, 1807

    Vistors to Jane Austen’s home, Chawton Cottage, will by struck by the happily situated and profusely blooming gardens surrounding the house. Summer finds the flowers, most what Austen herself would have known and loved, filling the area with color and scent. Cornflowers, poppies and marigolds share ground with roses, daisies, hollyhocks, and a profusion of other heirloom blooms.

    http://www.janeausten.co.uk/jane-austens-flower-garden/

    Posted 10 months ago #
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    Jane Austen's World of English Gardens

    By Lois Tilton (LTilton)


    August 28, 2009

    A look at the gardens of the English countryside in the Regency period, through the novels of Jane Austen. 

    Gardening picture

    Jane Austen (1775-1817) set her novels in the English countryside where she lived most of her life. Through these books, we are given first-hand glances at the place of gardening in the everyday life of these decades, when England was becoming a nation of gardens. It is clear from these images how much she was attracted to the landscape, to the farms and the natural beauties of the land.

    Farms

    Jane Austen's England was still an agricultural nation. We see no signs of the Industrial Revolution in her novels. Her characters lived in the country, where farming was the way of life. The gentry at this time was still largely regarded as the "landed gentry," and while it is not always easy to discern in the novels, a close look reveals that Austen's country estates were based on farms, and that many of her principle characters made their living through agriculture, either through farming their own lands (usually employing a steward or bailiff to manage the business) or leasing them to tenants. In many cases, the value of an estate was the value of the rents it received.

    Mr Bennett, in Pride and Prejudice, was not a man of great fortune, and it appears that he farmed his own lands. While he owned a carriage, he was not wealthy enough to keep carriage horses; the horses who pulled it were draft horses who were otherwise used on the farm for plowing and other work.


    "I had much rather go in the coach."

    "But, my dear, your father can not spare the horses, I am sure. They are wanted in the farm, Mr Bennett, are not they?"

    "They are wanted in the farm much oftener than I can get them." P&P 30-31

    When the London-bred Mary Crawford came to live near Mansfield Park, she encountered difficulties in transporting her harp to her new home.


    "I am to have it to-morrow; but how do you think it is to be conveyed? Not by a wagon or cart: oh no! nothing of that kind could be hired in the village. I might as well have asked for porters and a handbarrow."

    "You would find it difficult, I dare say, just now, in the middle of a very late hay harvest, to hire a horse and cart?"

    "I was astonished to find what a piece of work was made of it! To want a horse and cart in the country seemed impossible, so I told my maid to speak for one directly; and as I cannot look out of my dressing-closet without seeing one farmyard, nor walk in the shrubbery without passing another, I thought it would be only ask and have, and was rather grieved that I could not give the advantage to all. Guess my surprise, when I found that I had been asking the most unreasonable, most impossible thing in the world; had offended all the farmers, all the labourers, all the hay in the parish! As for Dr Grant's bailiff, I believe I had better keep out of his way; and my brother-in-law himself, who is all kindness in general, looked rather black upon me when he found what I had been at."

    "You could not be expected to have thought on the subject before; but when you do think of it, you must see the importance of getting in the grass. The hire of a cart at any time might not be so easy as you suppose: our farmers are not in the habit of letting them out; but, in harvest, it must be quite out of their power to spare a horse." MP 58

    Dr Grant, it must be noted, was not a landowner at all, but the rector of the Mansfield church. But in those days, a parish church usually had a tract of land attached to it, called a glebe, intended for the support of the clergyman, who thus became a farmer as well.

    Squire Musgrove, of Uppercross, had extensive farmlands. In Persuasion, Anne Elliott takes a long autumnal country walk across the Uppercross estate to a neighbor.


    after another half mile of gradual ascent through large enclosures, where the ploughs at work, and the fresh made path spoke the farmer counteracting the sweets of poetical despondence, and meaning to have spring again, they gained the summit of the most considerable hill, which parted Uppercross and Winthrop, and soon commanded a full view of the latter, at the foot of the hill on the other side.

    Winthrop, without beauty and without dignity, was stretched before them: an indifferent house, standing low, and hemmed in by the barns and buildings of a farm-yard. P 85

    Mr Knightley's Donwell Abbey was another extensive estate devoted to agriculture, and Knightley was a hands-on farmer, very much engaged on a daily basis with his bailiff William Larkins and Robert Martin, who leased the Abbey-Mill Farm, which Emma viewed from Donwell itself.


    at the bottom of this bank, favourably placed and sheltered, rose the Abbey-Mill Farm, with meadows in front, and the river making a close and handsome curve around it.

    It was a sweet view —sweet to the eye and the mind. English verdure, English culutre, English comfort . . . It might be safely viewed with all its appendages of prosperity and beauty, its rich pastures, spreading flocks, orchard in blossom, and light column of smoke ascending. E 360

    Mr Knightley himself sent his apples to market at a good profit, and probably the berries from his famous strawberry beds, as well.

    Kitchen Gardens and Poultry Yards

    For the residents of London, carts and wagons came rolling in every morning full of fresh produce, and herds of livestock were driven to the city's butchers. For the country-dwellers, things were quite different, and most rural households had to provide their own supply of these foodstuffs. Austen's families had their own poultry yards, their own cows, their own kitchen gardens; some had a great deal more.

    In Sense and Sensibility, when Elinor Dashwood married newly-minted clergyman Edward Ferrars, they


    had in fact nothing to wish for, but the marriage of Colonel Brandon and Marianne, and rather better pasturage for their cows. S&S 374-5

    The cows provided milk, which was made into butter and cheese, necessities of the kitchen. While visiting the palatial estate of Sotherton, Mansfield Park's parsimonious Mrs Norris "spunged" a homemade cream-cheese from the housekeeper, along with the recipe for it.

    When a porker was slaughtered at Emma's estate, she charitably sent a hindquarter to the impoverished Bates family, who worried that they did not own a salting-pan large enough to hold the ham. The preservation of food was an important household task in those days before refrigeration, and the cooks in Austen's households were always on the alert for meat that was about to spoil.

    When Charlotte Lucas married Mr Collins, his patron Lady Catherine de Bourgh


    inquired into Charlotte's domestic concerns familiarly and minutely, and gave her a great deal of advice as to the management of them all; told her how everything ought to be regulated in so small a family as her's, and instructed her in the care of her cows and her poultry. P&P 163

    Wealthy Colonel Brandon was considerably better off at his estate of Delaford,


    quite shut in with great garden walls that are covered with the best fruit-trees in the country: and such a mulberry tree in one corner! . . . Then, there is a dove-cote, some delightful stewponds, and a very pretty canal; S&S 197

    Anne Elliott admired the parsonage at Uppercross


    enclosed in its own neat garden, with a vine and a pear-tree trained round its casements. P 36

    This fruit would certainly be gathered and preserved by the clergyman's housekeeper. It was an important part of the household food supply. When Dr Grant moved into the parsonage at Mansfield, previously occupied by Mrs Norris, he quarreled with her about the garden and the fruit trees.


    "It was only the spring twelvemonth before Mr Norris's death, that we put in the apricot against the stable wall, which is now grown such a noble tree, and getting to such perfection, sir," addressing herself then to Dr Grant.

    "The tree thrives well beyond a doubt, madam," replied Dr Grant. "The soil is good; and I never pass it without regretting, that the fruit should be so little worth the trouble of gathering."

    "Sir, it is a moor park, we bought it as a moor park, and it cost us - that is, it was a present from Sir Thomas, but I saw the bill, and I know it cost seven shillings, and was charged as a moor park."

    "You were imposed on, ma'am," replied Dr Grant; "These potatoes have as much the flavour of a moor park apricot, as the fruit from that tree." MP 54

    When Mr Knightley charitably sent his last bushel of apples to the Bates', his housekeeper Mrs Hodges


    was quite displeased at their all being sent away. She could not bear that her master should not be able to have another apple-tart this spring. E 239

    On a more opulent scale, when Elizabeth Bennett visited Mr Darcy's estate at Pemberly, servants brought in


    a variety of all the finest fruits of the season. . . . The beautiful pyramids of grapes, nectarines, and peaches, soon collected them round the table. P&P 268

    It is possible that some of these fruits were grown in hot-houses on the estate. Greenhouses were becoming very popular among wealthy landowners in Austen's day, for growing both fruits and flowers out of season, and exotic tropical plants that were very popular among the fashionable.

    Landscaping

    The English garden in Austen's day was anything but solely utilitarian. Every country house seemed to have its shrubbery, with gravel walks where even the most lazy or sickly would take their daily exercise. Lady Catherine condescended to refer to the Bennetts' shrubbery as


    "a prettyish kind of a little wilderness on one side of your lawn. I should be glad to take a turn in it, if you will favour me with your company." P&P 352

    At Mansfield Park, the indolent Lady Bertram


    "sat three quarters of an hour in the flower garden, while Fanny cut the roses, and very pleasant it was I assure you, but very hot. . . .

    "Fanny has been cutting the roses, has she?"

    "Yes, and I am afraid they will be the last this year. Poor thing! She found it hot enough, but they were so full blown, that one could not wait." MP 72

    The fatuous Mr Collins did his own gardening work at his parsonage.


    Mr Collins invited them to take a stroll in the garden, which was large and well laid out, and to the cultivation of which he attended himself. To work in his garden was one of his most respectable pleasures; and Elizabeth admired the command of countenance with which Charlotte talked of the healthfulness of the exercise, and owned she encouraged it as much as possible. P&P 156

    When John Dashwood inherited Norland Park, he immediately began on Improvements. The eighteenth century had seen a wave of new landscape designs sweep over the countryside, altering it profoundly. The trend for Improvements raised a certain amount of controversy. Dashwood's plans for improving Norland were not well received by his sisters, who prefered the estate as it had been in their grandfather's day.


    "Where is the green-house to be?"

    "Upon the knoll behind the house. The old walnut trees are all come down to make room for it. It will be a very fine object from many parts of the park, and the flower-garden will slope down just before it, and be exceedingly pretty. We have cleared away all the old thorns that grew in patches over the brow." S&S 226

    Fanny Price was likewise unhappy when the dull but wealthy Mr Rushworth discussed his plans for improving his extensive old-fashioned estate of Sotherton by employing the landscape designer Humphry Repton, at five guineas per day.


    "There have been two or three fine old trees cut down that grew too near the house, and it opens the prospect amazingly, which makes me think that Repton, or any body of that sort, would certainly have the avenue at Sotherton down; the avenue that leads from the west front to the top of the hill you know."

    Fanny . . . now looked at him and said in a low voice, "Cut down an avenue! What a pity! Does not it make you think of Cowper? 'Ye fallen avenues, once more I mourn your fate unmerited.'" MP 56-57

    Mary Crawford also had an opinion on the subject of Improvements:


    "Three years ago, the admiral, my honoured uncle, bought a cottage at Twickenham for us all to spend our summers in; and my aunt and I went down to it quite in raptures; but it being excessively pretty, it was soon found necessary to be improved; and for three months we were all dirt and confusion, without a gravel walk to step on, or a bench fit for use. I would have every thing as complete as possible in the country, shrubberies and flower gardens, and rustic seats innumerable; but it must all be done without my care." MP 57

    Charles Musgrove was sure his cousin Charles Hayter would make significant improvements when he inherited.


    "The estate at Winthrop is not less than two hundred and fifty acres, besides the farm near Taunton, which is some of the best land in the country. . . . whenever Winthrop comes into his hands, he will make a different sort of place of it."

    Elizabeth Bennett had nothing but praise for the subtle improvements of Mr Darcy's great estate of Pemberly.


    It was a large, handsome, stone building, standing well on rising ground, and backed by a ridge of high woody hills; —and in front, a stream of some natural importance was swelled into greater, but without any artificial appearance. Its banks were neither formal, nor falsely adorned. Elizabeth was delighted. She had never seen a place for which nature had done more, or where natural beauty had been so little counteracted by an awkward taste. P&P 245

    As Elizabeth told her aunt, half-joking, she first made up her mind to marry Mr Darcy when she saw his magnificent estate. In the world of Jane Austen, the way to a heroine's heart is through a beautiful garden and well-landscaped grounds.

    http://davesgarden.com/guides/articles/view/2573/

    Posted 8 months ago #
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    The Chelsea Flower Show 2013 & The Gardens of England
    May 19- May 27th 2013

    Our annual English Garden and The Chelsea Flower Show 2013 tour in England offers women travelers a tapestry of classic Britain. Our 2013 English Garden tour is for women travelers who enjoy all things English. You will visit beloved English gardens and The 2013 Royal Horticultural Society's Chelsea Flower Show on opening day. Women travelers who love to garden will be inspired by England's pastoral beauty, history and the pure pleasure of taking time for tea. Whether yours is a secret garden behind a wall, a wildflower meadow open to the sea or a courtyard plot in the urban landscape, you will be enchanted. Women who love the charming classic British country ways of living will enjoy our trip which embraces English country life and the magnificent landscapes that sweep the English countryside. You will spend your days immersed in the creativity, grandeur, and passion that is gardening in England. Sissinghurst in Kent and Hidcote in The Cotswolds are two of the world's beloved gardens that you will visit. Our women's garden tour to England will join the Royal Horticultural Society's members on The 2013 Chelsea Flower Show member’s only days to experience and relish this stellar world renowned gardening event. If you are a keen gardener or just beginning you will enjoy the exquisite beauty in the gardens of England. You will have the chance to savour classic British country living and the history and architecture of London, Bath and The Cotswolds. This trip is designed for women who appreciate the fine art of traveling well and offers you luxe accommodations, fine dining and private touring in a small group.

    http://www.serendipitytraveler.com/home/index.php/site/england_chelsea10/

    Posted 6 months ago #
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    9 May to 12 May 2012 - Malvern Spring Gardening Show at Three Counties Show Ground

    The finest and friendliest gardening event of the year!
    In its beautiful setting at the foot of the scenic Malvern Hills, this truly inspirational show enjoys a national reputation as the finest and friendliest gardening event of the year.

    A joint venture of the Three Counties Agricultural Society and the Royal Horticultural Society.
    Web: http://www.threecounties.co.uk/springgardening/

    Posted 4 months ago #
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    8 to 9 June 2013 - Ashton Under Hill Open Gardens

    Over 20 gardens will be open from 1.00 to 6.00pm on both Saturday and Sunday. Admission to the event remains at just £4.00 per person, with children free, and Saturday tickets are also valid on Sunday. Free use of the special bus service throughout the village is included, allowing you time to see all of the gardens at your leisure. There’s also ample free parking for cars and coaches.

    To find out more, including photos of previous events, please visit our website at: http://www.ashtonopengardens.co.uk.

    Posted 4 months ago #
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    Ivy House Gardens

    St. Denys Retreat Centre

    2-3 Church Street

    Warminster

    Wiltshire

    BA12 8PG

    The Community of St. Denys and the Retreat Centre at Ivy House owe their existence to the energy and commitment to mission of the Reverend Canon Sir James Erasmus Phillips, Vicar of Warminster (1859 --1897).


    During nearly four decades as Vicar, he founded many institutes including the Training Home for Women Missionaries which became the Community of St. Denys in 1879.


    From 1881 the Sisters of the Community carried out missionary work in England, India and South Africa.


    Currently there are 5 Sisters, none of whom lives in the House. From April 2004 the Community became dispersed and open to professed sisters as well as lay people, both women and men. Services of prayer and worship are held daily in the House

    23 House Quiet Day: Wide Horizons

    Sarah Chabrowska & Libby Dobson

    24 Lunch and Quiet afternoon for Palm Sunday Canon Christopher Brown CSD


    April

    15 House Quiet Day: Sr Theresa Mary SCL

    20 BRF Quiet Day: At the Feet of Jesus

    Fiona Stratta

    29 Supervision for Spiritual Directors


    May

    23 House Quiet Day: Janet Cornish

    24 Quiet Garden Day


    June

    1 House Open Day

    7 Friends of Ivy House Annual Gathering Day

    15 Stop in the name of God: Helen Lems

    28 Quiet Garden Day


    July

    6 House Quiet Day: Wide Horizons

    Sarah Chabrowska & Libby Dobson

    15 House Quiet Day: Revd Pat Clegg

    26 Quiet Garden Day

    29 House Quiet Day: Christ - centred meditation David Cole


    August

    8 House Quiet Day: Helen Lems

    30 Quiet Garden Day


    September

    11 House Quiet Day: tbc

    23 House Quiet Day: Sr Theresa Mary SCL

    27 Quiet Garden Day

    30 How to lead a week of Guided Prayer


    October

    9 St Denystide Celebrations

    10 House Quiet Day: Canon Christopher Brown CSD

    25 Quiet Garden Day

    26 House Quiet Day: Wide Horizons

    Sarah Chabrowska & Libby Dobson


    November

    7 House Quiet Day: Rt Revd Graham Kings

    Bishop of Sherborne

    29 House Quiet Day: Christ-centred meditation David Cole


    December

    11 House Quiet Day: Liz Lang

    http://www.ivyhouse.org/about.html

    Posted 2 months ago #
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    Every year NGS gardens across England and Wales welcome about 750,000 visitors. Most gardens which open for the NGS are privately owned and open just a few times each year. Some gardens open as part of a group with the whole community involved. The gardens give all the money raised directly to us (including from the sale of teas and plants); the only exceptions being in some cases they ask that a small proportion goes to a nominated local charity.

    Our tradition of opening gardens of quality, character and interest is supported by our Patron, HRH The Prince of Wales.

    Did you know that we currently give away more than £2.5 million each year to nursing, caring and gardening charities and we have given them a total more than £25 million in the last 15 years. Our office and overheads are small and most of the work is done by volunteers in our county teams and so currently more than 80p in every £1 raised at garden openings goes directly to our beneficiaries.

    http://www.ngs.org.uk/

    Posted 2 months ago #
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    North American Perennials in the English 18th Century Flower Garden and Pleasure Ground by Karen Bridgman

    A look at North American perennials in England, their appearance in the 18th century nursery trade and their impact on 18th century gardens

    Cost: Free (Does not include entry to landscape garden)
    Date: Thursday 4th July
    Time: 1pm – 1.30pm

    Adults only. Advanced booking required. Please call 01932 868113 or book online.

    http://www.painshill.co.uk/painshill-free-lunchtime-talks-5/

    Posted 2 months ago #
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    21st May 2013
    Oxfordshire Gardens Visit / Rousham and Shotover


    Richard Wheeler, National Gardens Specialist at the National Trust, leads us on this visit to the superlative designed landscape at Rousham, a place of pilgrimage for William Kent aficionados. Rousham represents the first phase of English landscape design and remains almost as Kent left it, one of the few gardens of this date to have escaped alteration, with many features which delighted eighteenth century visitors to Rousham still in situ, such as the ponds and cascades in Venus’s Vale, the Cold Bath, the seven-arched Praeneste, Townsend’s Building, the Temple of the Mill, and, on the skyline, a sham ruin known as the Eyecatcher. Shotover, where Sir Beville Stanier hosts us, also occupies a important place in the landscape canon. Begun in 1718 and completed in 1730, it is a rare survival of an early Georgian formal garden, laid out along an east-west axis 1,200 yards long, at its centrepiece a straight canal terminating in a Gothic Revival folly. Kent is present here too, having designed an octagonal temple to stop the view down a similarly long vista west of the house.

    http://www.georgiangroup.org.uk/docs/edu/events.php?id=6:5|2013:0:0

    Posted 2 months ago #
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    11th June 2013
    Kent Country Visit / Chevening and Riverhill



    Chevening was built before 1630 by the 13th Lord Dacre (possibly designed by Inigo Jones) and was sold to the Stanhopes in 1717. The 7th Earl Stanhope left the house and estate to the nation in 1959, and it is now the official residence of the Foreign Secretary, who currently shares it with the Deputy Prime Minister, under the management of the Trustees of the Chevening Estate. Riverhill was built in the early eighteenth century by the Children family, bankers in Tonbridge, passing in 1768 to the Woodgates, who owned extensive estates in west Kent, including Tonbridge Castle. It was purchased in 1840 by John Rogers FRS, an eminent horticulturist, four generations of whose descendants still live at Riverhill and will welcome us. Andrew Wells leads.

    http://www.georgiangroup.org.uk/docs/edu/events.php?id=6:6|2013:0:0

    Posted 2 months ago #
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    <H2 class=sec-title>Painshill Morning Lecture Series

    Event date: April 18, 2013

    The Gardens of Hampton Court Palace by Barry Hylton Davies Guide & Lecturer at Hampton Court Palace.

    Like the Palace, Hampton Court’s park and gardens have a long and varied past. This lecture will explore the history and show how they reflect evolving garden design in England.

    Queen Mary II Exoticks Collection by Martin Einchcomb Plant Heritage Collection Holder and Horticultural Supervisor, Hampton Court Palace.

    Queen Mary II amassed a marvellous range of unusual ‘exotic’ plants which were displayed at Hampton Court. Come and hear more about her wonderful collection.

    Cost: £10 per morning session (Members £6).
    Date: Thursday 18th April
    Time: 10.30am – 12.30pm

    Adults only. Advanced booking required.
    Price includes two lectures
    Please book online or call 01932 868113.

    The whole Painshill Lecture Series can be booked at a discounted rate only through the Painshill Bookings Manager.

    http://www.painshill.co.uk/painshill-morning-lecture-series/

    Posted 2 months ago #
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    Loudon's Encyclopaedia of Cottage, Farm
    and Villa Architecture

    John Claudius Loudon

    John Claudius Loudon, born in 1783, was one of those early nineteenth century Titans for whom work was a hobby, or an obsession. Largely self-educated, he was primarily a horticulturist and landscape gardener, producing encyclopaedias on Gardening, Agriculture and Plants before he began one on Architecture in 1832; this was published in 1833 with 1,100 tightly-printed pages and over 2,000 drawings. It was not all his own work for he had help from many contributors, among them Charles Barry, John Dobson, Charles Fowler, Edward Lamb and Francis Thompson, and others of less fame, but mostly of sufficient standing to appear in Colvin’s Biographical Dictionary. Nevertheless it was still a stupendous achievement, and it was supplemented in 1846 by a second edition, brought out by his widow, with nearly 200 more pages and over 300 more illustrations.

    By 1800 Brown and Repton and Payne Knight had made it almost imperative for a gentleman’s house and its surroundings to be designed as one. Even in remote Shropshire, Archdeacon Plymley was recommending that gentlemen’s estates should be embellished with the decent and tasteful farmhouses and cottages of their tenants and labourers scattered throughout their land. Several publications had dwelt on the charm of old buildings and at Ampthill and Blaize Castle, for example, groups of picturesque cottages had appeared. But although much had been done, much remained to do; and in one novel Jane Austen could admire the ‘neat’ cottages of Northamptonshire and in another lament the ‘inward and outward wretchedness’ of some in Surrey.

    The early nineteenth century in Britain was a period first of the agricultural prosperity of the Napoleonic Wars and also of the unprecedented wealth engendered by the developing Industrial Revolution. Brown and Repton had designed houses and gardens for aristocrats; Loudon, who had made a fortune at farming and had then lost it in unhappy investments, chose a different path. He realised that the advent of a large class of men with social pretensions and of ample, but not enormous, wealth had created a market for publications which would help them to establish themselves as country gentlemen of taste. He was not the first to do that, but his predecessors had generally produced slim volumes, more elegant than informative. With his remarkable capacity for work and with a fluent pen he gave his encyclopaedias to the public. This one brought together nearly all that could be said upon the subject and had a great success.

    Loudon’s first stated intention was to see decent accommodation provided for the ‘great mass of mankind’; by which he meant, as his designs show, those living in the countryside. He troubled little about architectural styles, reproducing designs in all styles ranging from Greek to Gothic to Swiss Alpine; and he advised would-be architects to design in whichever was the style that contemporary or local ‘prejudice’ chanced to favour. For the same reason he commanded the use of stone or brick or earth according to local practice and resources. He was, however, concerned that gentlemen should take into their own hands the building of labourers’ cottages on their estates, for leaving it to their tenant farmers to do so usually produced ‘wretched hovels’.

    The book is replete with instructions upon every aspect of building and furnishing cottages, farmhouses and what he calls ‘villas’, many of which were big enough to be country houses. But Loudon was not just a builder, he had his own views about the purpose of architecture and the relationship between function and style. Theorists of aesthetics generally end up discovering that what they prefer is ‘The Beautiful’. Loudon eschewed that form of self-indulgence. A building, he claimed, was to be judged primarily by its fitness for the end in view and by the clear architectural expression of that end; or as Keats put it, ‘Beauty is Truth, Truth Beauty’. The dictum is not always easy to follow, and since he was writing for a large audience he was sometimes inclined to stretch a point. For example, he published a design – he did not necessarily commend it – in which a lobby-entrance house had been ‘improved’ by adding to the elevation a large functionless gable.

    There was nothing noticeably original in his designs of cottages and farmhouses and farm-layouts. Model cottages and farms had been built many years before he published, but what he did was to provide a great number of examples for would-be builders to choose from. In one way he may seem to have been behind the times, for many of his cottage designs, and even one or two farmhouse designs from Scotland were of one storey, when one-and-a-half storey cottages were standard among enlightened builders. That may perhaps reflect his Lowland Scots background, for he also has designs for cottages with what he calls a ‘bed-closet’, a small windowless area curtained and partitioned off from the rest of the room; a contrivance common in the Middle Ages at all social levels and surviving in Glasgow tenements for example, into our own days.

    What distinguishes his encyclopaedia from earlier productions is not only the range of information which he conveys, but also his anxiety to introduce his readers to new building techniques and to the latest practical applications of advances in human knowledge; all with the intention of improving the comforts of home for the lowliest and thereby, as he hoped, raising the standards of society as a whole. He advocated cavity walls, for their economy and their ability to keep out the wet, over a hundred years before they became common. He was publishing designs for water-closets a full generation before they were standard even in urban houses; for steam threshing-machines on farms; for gas-lighting in villas; for iron furniture in inns; even for under-floor heating from a common furnace for a row of cottages. Of course, none of these could have been provided at a cost which ordinary men could afford if made by hand and individually; water-closets, steam threshing-machines. gas-lighting, iron furniture, could benefit wide classes only through mass-production. All of Loudon’s designs, and indeed his optimism about future social and moral standards, were based upon the success of large-scale capitalist production in agriculture and industry, which both created a market and, in part at least, satisfied it. He wrote for country dwellers, but for country dwellers served by an urban industrial society. His book fully deserved its success, for it was written by a man not only of talent and energy, but, as importantly, a man wholly in sympathy with the changing age in which he lived.

    Eric Mercer
    Shrewsbury, Shropshire, September 1999

    http://www.donhead.com/new_introductions_and_reviews/loudon%27s_encyclopaedia_introduction.htm

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    Abbey Cottage Open Garden

    Abbey Cottage Open Garden

    The garden has been open regularly for the past 25 years for the National Gardens Scheme and has featured on the television and in magazines. This year’s opening will raise money for the Cathedral appeal. 20 April - 21 April 2:00pm - 5:00pm Itchen Abbas

    Gilbert White and his Garden by David Standing Gilbert White and his Garden by David Standing
    25 April 7:00pm

    Paul Woodhouse Suite

    A talk by David Standing who has been Head Gardener at Gilbert White’s House & Garden since 1979.

     

    Churches of the Test Way Footpath by Bryan Beggs

    Churches of the Test Way Footpath by Bryan Beggs

    16 May 2:00pm

    Paul Woodhouse Suite

    Co-author of ‘Churches of Test Valley’ Bryan Beggs will talk about how he has spent many years delving into the history of the churches along the route from its northern end at the Inkpen Beacon down to the Solent at Nursling.

    http://winchester-cathedral.org.uk/whats-on/

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    Early Bird Walk - Dawn Chorus Walk and Breakfast with our Head Gardener

    Wednesday 1 May 2013, from 5am until 8am, Chawton House Library, Chawton, GU34 1SJ

    Put a spring in your step with an early morning estate walk led by Head Gardener, Alan Bird. Be guided around the historic estate of Chawton House Library at the most magical time of day. Learn about the restoration projects and plants you encounter, and try to spot the dawn chorus singers as they greet the emerging sunshine! A memorable experience for young and old, followed by a full English breakfast in the Old Kitchen. Binoculars and wellingtons / walking boots advised.
    Tickets £12.00, including full English Breakfast

    http://www.altonevents.co.uk/events/default.asp

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    Tour with the Head Gardener

    Thursday 16 May 2013, from 2pm until 4pm, Chawton House Library, Chawton, GU34 1SJ

    Enjoy the delights of the beautiful grounds at Chawton House Library with an afternoon walk led by Head Gardener, Alan Bird. Be guided around the historic landscape and learn more about the restoration projects and verdant flowers and foliage.
    A delightful experience for young and old, followed by afternoon tea and cake in the Old Kitchen or courtyard. Wellingtons or walking boots advised.
    Tickets £10.00, including tea and cake

    http://www.altonevents.co.uk/events/default.asp

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    The Garden of England, Queen's House




    Dates:

    14 March-18 August 2013


    Times:

    10.00-16.30


    Fee:

    <COST>FREE</COST>



    Location:

    The Queen's House


    Audience:

    Adults; Young people


    Event type:

    Temporary exhibitions




    Showcased in the Queen's House, The Garden of England is a series of three new works by major British textile artist Alice Kettle.

    Drawing on the Museum's portrait collection The Garden of England looks at the queens and courtiers involved with the Queen's House, and its original setting as a garden retreat. The exhibition captures the richness and flamboyance of the Stuart court.

    This is the inaugural project of the Royal Museums Greenwich contemporary arts programme.

    Location: Tulip Stairs and North-West parlour, the Queen's House.

    http://www.rmg.co.uk/visit/events/the-garden-of-england

    Posted 1 month ago #

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