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Jane Austen’s China and the Steventon Archaeological Dig

This view of the Steventon Rectory seems to be the correct one.
This view of the Steventon Rectory seems to be the correct one.
This view of the Steventon Rectory seems to be the correct one.

From the Desk of Jane Odiwe
I was very excited to read about some of the discoveries made during the dig at Jane Austen’s childhood home in the village of Steventon, Hampshire, which took place in November 2011. The rectory was pulled down in the 1820s and what is known of its appearance is only recorded on old maps and drawings or writings made from the memories of Austen descendants. It seems that the actual foundations of the rectory have now been located as a result of the dig – formerly, the only clue to its situation was the presence of an iron pump.

Jane was born in Steventon Rectory and lived happily for the first twenty five years of her life until her father decided to retire and move the family to Bath. It was here that she drafted her first three novels, Sense and Sensibility, Pride and Prejudice and Northanger Abbey, all between the ages of 19 and 23.

Anna Lefroy, niece of Jane, wrote about her memories of the house:
“The dining room or common sitting-room looked to the front and was lighted by two casement windows. On the same side the front door opened into a smaller parlour, and visitors, who were few and rare, were not a bit less welcome to my grandmother because they found her sitting there busily engaged with her needle, making and mending.

A vintage map showing the area surrounding the farm.
A  map showing the area surrounding the farm.

Continue reading Jane Austen’s China and the Steventon Archaeological Dig

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Project Darcy: A Review

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indexJane Odiwe writes from the heart. This is evident to anyone who has ever read one of her novels, but particularly so in her newest work, Project Darcy. Published just in time for Christmas, it is surely her gift to Austen fans everywhere.

The story centers on a group of friends who join an archeological expedition at the site of Steventon Rectory. The five girls mirror the Bennet sisters in personality and even name choices, and just as in Pride and Prejudice, Ellie (our heroine) and Jess share a special bond.

The purpose of the dig is to discover the actual layout of the Austen’s home, and it is clear from the writing that Ms. Odiwe is intimately familiar with the Austen haunts mentioned throughout the book, from Steventon to Ashe and Deane, Bath and London. Relationships among the other workers and staff form the backdrop of a fairly straightforward retelling of Pride and Prejudice, cleverly repackaged though, in order to drop twists and turns throughout, and laugh out loud moments at just the right time.

This is, however, a time travel story, as well. Like her previous book, Searching for Captain Wentworth, Ellie has the ability to travel between the 21st century and Regency England. Unlike the other book, however, these time jumps are uncontrolled by temporal items, and are brought on by the proximity of so many Austen locations. In Ellie’s jumps, she literally becomes Jane Austen, creating a story within a story, as she relives many of the poignant memories of Austen’s past, and seeks to shed light on her oh-so-mysterious relationship with Tom Lefroy.

Although the archeological dig takes place in summer, Ellie’s jumps, for the most part, return her to the winter of 1795/96 when we know, from Jane Austen’s own letters, that she met Tom while he was visiting his aunt. The descriptions of Christmas at Steventon and the Manydown  ball are delightful, and it is fun to fill in the gaps in what we do know, fleshing out a story of love won and lost. Traces of Austen’s “later” works are visible and it is clear that Ms. Odiwe let her imagination have full reign in giving Jane the romantic past that we all might wish for her. While many scenes are reminiscent of Jon Spence’s Becoming Jane, we are also treated to the history of Jane’s turquoise ring which came to public attention this past year.

Continue reading Project Darcy: A Review

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Spillikins

Jane Austen's Spillikins can be seen in the upper right hand corner.

Jane Austen was a very hands-on aunt, with numerous games and activities in her repertoire. Her nieces and nephews recall with fondness the many games, from paper ships to Battledore and Shuttlecock, that she would play with them by the hour. One activity, Spillikins, was remembered with fondness, by Jane, herself:

“Our little visitor has just left us, & left us highly pleased with her;-she is a nice, natural, openhearted, affectionate girl, with all the ready civility which one sees in the best Children of the present day; -so unlike anything that I was myself at her age, that I am often all astonishment & shame.-Half her time here was spent at Spillikins; which I consider as a very valuable part of our Household furniture, & as not the least important Benefaction- from the family of Knight to that of Austen.”
Jane Austen to Cassandra
February 8, 1807

In her letter, Jane Austen refers to her personal set as “a very valuable part of our household furniture.” The “Austen Spillikins”, along with other artifacts of Jane’s daily life can be found on display at the museum in Lyme. Ivory fish, like those Lydia gambles with in Pride and Prejudice, and letter blocks, similar to those used in Emma can also be found in the display. It is clear the Austens were serious about their fun and games.

Jane Austen's Spillikins can be seen in the upper right hand corner.
Jane Austen’s Spillikins can be seen in the upper right hand corner. Photo by Jane Odiwe of the  Jane Austen Sequels Blog.

So just what was this engrossing game? Spillikins is played the same way that early versions of Jack Straw and the American “pick up sticks” are. The difference comes withe the playing pieces. Jack Straws were originally played with uniform pieces of straw (though now  wooden or plastic farming tools are generally used.) Pick up sticks are made of wood or plastic, of uniform length, sometimes with knobs on the ends. Spillikins, were crafted from wood or ivory and could be blunted or rounded depending on the set.

When playing with sticks of uniform size and shape, like those that belonged to Austen, the rules are, as follows: Continue reading Spillikins

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Searching for Captain Wentworth: A Review

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For those who love, time does not exist

 

searching for captain wentworthSearching for Captain Wentworth is unlike any Jane Austen inspired novel I’ve ever read. I suspect it’s unlike any Jane Austen novel ever written! Part love story, part time travel fantasy, part Austen biography, it’s all about the author’s (Jane Odiwe) love for Jane Austen and the city of Bath, her ‘Fairyland’ city.

Reading it (in 24 hours! I couldn’t put it down!) was like taking a walk with friends through old, familiar places. Jane’s use of Bath (both in the present and during the Regency) and Lyme, coupled with her deft weaving of historical fact and Austen lore, Austen novels (especially Northanger Abbey, Sense and Sensibility and Persuasion) and films made for a book that felt like there was a cameo appearance on every page. It is truly a book written by someone who knows Austen’s life, novels and films inside out, and though any and all might enjoy the wonderful story she has crafted, for those in the “know”, Easter eggs abound, almost like the many inside jokes, shared by the Austen family, that made their way into Jane Austen’s writing.

Jane Odiwe’s descriptions of Bath, both past and present, make the city come alive, reviving happy memories for those who have visited the beautiful white limestone city, and painting a vivid tour of city highlights and must visit stops for anyone contemplating a visit. Equally compelling are the settings in Lyme Regis, from Cobb to country house to assembly room.

In the story, heroine Sophie Elliot moves into her great-aunt’s flat in Bath, while she recovers from a broken heart, determined to put the past behind her and move on with her life and writing. The house, adjacent to the home occupied by the Austen family in 1802, proves to be full of secrets and surprises, and once her adventure begins, she transports between present day Bath and a hopeful friendship with her new neighbor (and perhaps something more?) and 1802, where she slips into the life of her ancestor Sophie Elliot, and a friendship with Jane and Cassandra Austen.

searching for captain wentworth
Charles Austen’s portrait, the “Rice” Portrait of Jane Austen and a Regency Era inlaid rosewood box all feature prominently in the story.

When Charles Austen, a young Naval officer, enters the scene, Sophie’s life becomes decidedly complicated. Persuasion may be the initial inspiration for the story, a novel many feel was Jane Austen’s attempt to rewrite history in her own life, however, questions remain, “Can the past be changed? Should the past be changed? Are happy endings only to be found in fiction?” A rosewood box and pair of gloves may hold the key to all the secrets of the novel, and in finding them, Sophie discovers the truth about herself and her heart.

It is known that Jane Austen drew her characters from the traits she noticed in those around her, and recognizable characterizations abound including the snobbish Elliot family themselves…oh-so like their “fictional” counterparts. Conversations and scenes from Austen’s novels are woven together in new and unexpected ways, providing a canvas that the “real” Jane Austen might later use in her writing. Additional portrayals of Cassandra Austen, Charles Austen and even Henry and Eliza Austen ring true and offer glimpses of family life that are not only faithful to the recorded history we have, but also all any “ardent admirer” of Jane Austen’s works and life could hope for.


The magically beckoning gate in Sydney Gardens that transports Sophie into 1802.

Moving along at a brisk pace, the story jumps quickly from the present to the past and back again, and readers will visit the amusements, pleasure gardens and assembly rooms of Bath and Lyme and the countryside beyond in both 2012 and 1802. Odiwe cleverly ties up her threads by the end of her story, though readers are left to wonder if Sophie is the only one of her family to have enjoyed the company of L’amiable Jane…leaving room, perhaps, for future stories.

I, for one, certainly hope so!

  • Paperback: 320 pages
  • Publisher: Paintbox Publishing (7 Sep 2012)
  • Language: English
  • ISBN-10: 095457222X
  • ISBN-13: 978-0954572228

Jane Odiwe is an author and an artist. She is completely obsessed with all things Austen and is the author of is the author of Mr Darcy’s Secret,  Lydia Bennet’s StoryWilloughby’s Return and the newly published Searching For Captain Wentwort. She lives with her husband and three children in North London and Bath, England.


Laura Boyle is fascinated by all aspects of Jane Austen’s life. She is the proprietor of Austenation: Regency Accessories, creating custom hats, bonnets, reticules and more for customers around the globe. Cooking with Jane Austen and Friends is her first book.

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Discovering Bath with Jane Odiwe

Promenaders

 

Now for Bath…
Jane Austen to Cassandra
September 13, 1815

 jane odiweSearching For Captain Wentworth, my newest book,  was inspired by Jane Austen’s novel, Persuasion. In it, my heroine Sophie is invited by her aunt to spend some time in the family townhouse.  As she is at a loose end with a broken heart, she thinks it might be a brilliant idea. After all, she’s wanted to visit Bath since she firstt read her favourite novel, Persuasion, and longs to walk in Jane Austen’s footsteps.

On arrival, she finds she’s actually living next door to Jane Austen’s own house, but far from being the Regency fantasy she’s imagined, her flat turns out to be a rather neglected place and she only has access to the upper floors. The lower part of the house is occupied by the mysterious Josh Strafford who works at the Holburne Museum over the road in Sydney Gardens.

It’s not long, however, before Sophie learns that she’s not alone. A ghostly presence and the discovery of an ancestor’s journal fascinate her. When she sees Josh drop something out on the pavement outside she follows him and picks up the wet object which unfurls in her hand. It looks like Captain Wentworth’s glove. Running after him into the gardens she loses sight of him and when she steps through a cast-iron gate down to the canal that’s where her timeslip adventure begins.

I had such fun with this book because I love Bath and am very lucky to be able to spend a lot of time there. It’s my idea of Fairyland and has totally inspired this book. Writing about the time that Jane lived there involved lots of lovely research and I enjoyed weaving fact and fiction together.

There are three romantic story lines which run through the book, but it’s not all rosy – I very much wanted to show how difficult it was for women in Jane Austen’s era, and to have the different viewpoints of those in the past as well as the present. Jane Austen’s story unravels alongside Sophie’s and I enjoyed including many of the Austen family – especially Charles Austen, one of my handsome heroes.


Photo of the Jane Austen Centre Tearoom courtesy of Katrina Casey

I visit all my favourite places in Bath. The action takes place at the Holburne Museum, Sydney Gardens, the Assembly Rooms, the Pump Room and up on Beechen Cliff. My hero and heroine even take tea at the Jane Austen Centre in the lovely tearoom!

 Taking a turn into Quiet Street and rounding the corner onto Gay Street, we climbed ever higher, unable to pass the Jane Austen Centre without visiting the giftshop where Josh treated me to a book. I chose Cooking with Jane Austen and Friends, a sumptuous volume, which had my mouth watering at the fantastic recipes. Josh suggested we break our fast by sampling the hot buttered ‘Crawford’s Crumpets’, washed down with a cup of Peking tea in the Regency tearoom upstairs, and in such surroundings we felt we’d escaped from the hustle and bustle of town life below.
-Searching For Captain Wentworth

I’m delighted to have been invited to talk at the Jane Austen Festival this year – I’m so looking forward to meeting those of you who are coming. Look for me at the costume promenade – I shall be there with my camera so I can send pictures round the world to show Janeites who cannot be there what a wonderful spectacle there is to be seen. This is one of the highlights for me – some of the costumes are amazing. Hand-sewn and beautifully stitched, many professional costumiers and re-enactors delight in showing off their skills. Equally endearing are the homemade outfits and the children are especially adorable dressed in costumes and dresses crafted from clothes they already possess. There’s a lovely carnival atmosphere and such a buzz of conversation that you might think you really had travelled back in time!

jane odiwe
Visit Katrina’s blog to read more about the Regency ensemble she designed

There are so many lovely talks, demonstrations and theatre performances during the whole festival that you’re really spoiled for choice. Not to mention the dancing! And there are lessons too – so you can’t go wrong. Well, not unless you’re like me – I love dancing but sometimes I forget the steps, but then it’s all part of the fun. I promise, you will spend a lot of time laughing. The Festival Fayre is a favourite of mine – if you need a new reticule, a parasol or a new book, you’re sure to find it.

When you’re not busy with the Festival, there are some must-see places to visit. Top of my list because it is so central is The Pump Room. You don’t have to take tea here though that is a lovely treat. You can sample the waters for a small charge and have a look at the wonderful surroundings!

Just walking through the revolving door under the Pump Rooms sign was as good as stepping back in time, and it did look as wonderful as I’d hoped. A sea of tables dressed in crisp white linen stretched the length of the room, each decorated with arrangements of white lilies scenting the air along with the evocative aromas of Earl Grey tea, pungent morning coffee, the fragrant smells of cake and toasted Bath buns. From the lofty ceiling, a dazzling chandelier glittered above the throngs of tourists. Spangled with strings of crystals like sprinkles on winter cobwebs, every pendalogue dripped prisms of rainbow light to illuminate the glossy hair of a young girl, or to wink in a clinking, silver teaspoon.
-Searching For Captain Wentworth

Don’t forget to visit the Assembly Rooms if you can. Not only will you find the ballroom, the tearoom and the octagon room that Jane Austen talks of in her novels but the Fashion Museum is housed here. They have a fabulous collection including many Georgian dresses – there’s always something new to see.

Last, but by no means least, pop into the Jane Austen Centre for an entertaining talk and exhibitions as well as the gorgeous shop. I don’t think I’ve ever left without buying something so be prepared!

I shall be talking about my writing, and reading from Searching For Captain Wentworth on Wednesday 19th September at the Duncan Room, BRLSI 16-18 Queen Square BA1 2HN at 10.30 – it would be wonderful to see you there or at any of the Festival events!

Jane Odiwe is an author and an artist. She is completely obsessed with all things Austen and is the author of is the author of Mr Darcy’s Secret,  Lydia Bennet’s StoryWilloughby’s Return and the newly published Searching For Captain Wentwort. She lives with her husband and three children in North London and Bath, England.

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Jane Austen Made Me Do It, Edited by Laurel Ann Nattress

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One regret I have in my busy life is the lack of leisure time I have for reading. Right now there are four stacks of books on the floor of my office, all waiting to be read. So many books! So little time. Given my schedule, I am glad I set aside the required hours to read Jane Austen Made Me Do It, an anthology of Jane Austen-inspired stories by published Jane Austen sequel authors and edited by Laurel Ann Nattress.

I rarely read anthologies front to back, but flit here and there, landing instead on a story with an intriguing title or by a favorite author. In this instance I began with Stephanie Barron’s tale of Jane And the Gentleman Rogue: Being a fragment of a Jane Austen mystery. I am so glad I did, for it prompted me to linger longer over dinner and read another short story. Beth Pattillo’s  When Only a Darcy Will Do was a delight, as was Margaret C. Sullivan’s Heard of You, which I read just before going to bed. The list of authors in this anthology is impressive: Pamela Aidan • Elizabeth Aston • Brenna Aubrey • Stephanie Barron • Carrie Bebris • Jo Beverley • Diana Birchall • Frank Delaney & Diane Meier • Monica Fairview • Amanda Grange • Syrie James • Janet Mullany • Jane Odiwe • Beth Pattillo • Alexandra Potter • Myretta Robens • Jane Rubino & Caitlen Rubino Bradway • Maya Slater • Margaret Sullivan • Adriana Trigiani • Laurie Viera Rigler • Lauren Willig.

I’ve always enjoyed reading anthologies. They allow one to pick and choose on a whim, and finish a story in a short space of time. Anthology stories serve as literary versions of amuse bouches, those tasty bites served at the start of dinner. Even the most the discerning reader is bound to find selections and authors they will love. (Or discover a new author!) Click here to read a short synopsis of each story.

I favored some stories over others, but won’t share them with you for the simple reason that some of the stories I disliked received rave reviews on other blogs. Anthologies appeal to a variety of tastes, and I found it remarkable how many in Jane Austen Made Me Do It captivated me.  If you decide to purchase this book, I can guarantee that you will discover new authors and stories that you will want to reread.

This is due, no doubt, to the hard work that editor Laurel Ann Nattress put into the project. As a blogger, I can’t imagine how much of her time was spent in contacting the authors and working with them, overseeing a contest for an  unpublished author (the honor went to Brenna Aubrey), working with her publishing house in editing the stories, and now publicizing the book. I tip my hat to Laurel Ann for overseeing this ambitious and very worthwhile project, for this is her first book.  I give Jane Austen Made Me Do It  five out of five Regency tea cups!

Ballantine Books
Trade paperback (464) pages
ISBN: 978-0345524966
List Price: £9.99


Vic Sanborn oversees two blogs: Jane Austen’s World and Jane Austen Today. Before 2006 she merely adored Jane Austen and read Pride and Prejudice faithfully every year. These days, she is immersed in reading and writing about the author’s life and the Regency era. Co-founder of her local (and very small) book group, Janeites on the James, she began her blogs as a way to share her research on the Regency era for her novel, which sits unpublished on a dusty shelf. In her working life, Vic provides resources and professional development for teachers and administrators of Virginia’s adult education and literacy programs.

This article was written for Jane Austen’s World and is used here with permission.


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The Rice Portrait

riceportrait

In the gallery there were many family portraits, but they could have little to fix the attention of a stranger. Elizabeth walked on in quest of the only face whose features would be known to her.
-Pride and Prejudice

For years there has been (some say, unnecessary) controversy over a charming portrait of an unnamed girl in white- clearly she is a member of the Austen family…but is she THE Austen we all so want her to be? With few known likenesses of Jane Austen to compare this too, it seems reasonable to accept the word of family members who knew Jane Austen—yet there are those—costume historians, authors, and even the head of the National Portrait Gallery (though his predecessors believed it to be authentic) who refuse to accept the “Rice Portrait” as it is called, as a genuine article.

The current owners of the portrait, the Rice Family, descendants of Jane’s brother Francis, firmly believe the portrait to be genuine and have spent the last several years tracing the history (provenance) of this portrait, discovering, along the way, clues that would surely have sent Sherlock Holmes hard fast on the trail of this mystery. Here, in her own words, is the history of the Rice Portrait, by it’s owner, Anne Rice:

This story, and the portrait of Jane Austen started in the summer of 1788 when George Austen took his wife, and his two young daughters, Cassandra, aged 15, and Jane aged not quite 13 years old to visit their Great Uncle Francis at his him called The Red House in Sevenoaks, Kent. Francis Austen was an enormously rich and successful man, he had been head of Lincoln’s Inn in London, and owned properties in Essex, as well as in Kent. He was an expert in the settling, and safeguarding of large estates by entail, and by inheritance, and counted some of the most important families in England amongst his clients; the Dorsets, the Berkeleys, and Cravens, amongst others.

In 1788, he was 90 years old, having been born in 1698 during the reign of William III. His second wife Jane had been Jane Austen’s godmother, but was now dead, and Francis was indulging himself in his old age as a benevolent family patriarch. Ozais Humphrey, much patronized by Francis’ main employer and patron, the Duke of Dorset, had already painted him twice; once at the Duke’s request, and again at his own request for The Red House.
Francis had always been a kind and generous patron of his nephew George Austen. It is hardly surprising that he was persuaded, or perhaps cajoled, into commissioning portraits of his two great nieces from his friend Ozias, who was rather down on his luck at the time, having returned from India in the spring of 1788, with little success and somewhat short of money. Ozias always demanded half of his fee for his portraits “up front”. His accounts show that he charged about 13 guineas first, and the second half on completion. He made a note of Francis Austen’s death in 1791, which implies money owing to him.

The family has always believe that after the portraits of Jane and Cassandra were commissioned in the summer of 1788, Ozias Humphrey stayed at Godmersham Park that autumn, and there executed sketches and drawings of the backgrounds of the park. On the 7th of October that year, Edward Austen-Knight was 21 years old, and again, family tradition has it that he returned from the first leg of his Grand Tour for his Coming of Age celebrations with his adoptive parents. His own portrait, also signed OH, places him within the Godmersham grounds in front of a large English oak tree, with the old temple ruins in the background, along with graves from the Godmersham churchyard.

Jane’s background includes the river Stour that flows to the left of the big house, and in both pictures the same autumnal colors are used, as well as the depiction of stormy skies. It’s interesting to note the stance in both of the portraits, the angles of the cane and parasol are almost identical. Ozias having been trained as a miniaturist and a very fine one, had difficulty in many of his paintings in the execution of limbs painted in large. Note the elongation of Edward’s arm holding his hat and Jane’s elongated arm holding the parasol.

As with much of the inherited Austen artifacts and documents, over time they were split amongst the family members. The last descendant of the Kippington Austen line may well have owned the portrait of Cassandra. May Harrison lived out her final years in Grasse, France and on November 28, 1952, she wrote to R. W. Chapman saying she owned by descent, a portrait which she believed could be Jane Austen. Mrs. Harrison’s nephew remembers her possessing a painting of a girl dressed in white, but it was not always hung as she rotated her pictures. No one seems to have considered that this could have been the portrait of Cassandra.

As was the usual custom, Ozias would have finished the portraits in his London studio, and kept them until he received payment for the second tranche of the paintings. Thomas Knight is believed to have commissioned Edward’s portrait (Ozias certainly copied the Romney portrait of his wife, Catherine Knight, for him. It is a small, oval miniature that he could carry with him.) Uncle Francis died in 1791, and the two portraits were inherited by his eldest son, Francis Motley Austen, the second owner of the portrait…

The rest of this story can be found at www.janeaustenriceportrait.co.uk.

You can purchase the related book ‘The Rice Portrait of Jane Austen‘ by RJ Wheeler at our online gift shop.

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Willoughby’s Return: A Tale of Almost Irresistible Temptation By Jane Odiwe

Willoughby's Return: A Tale of Almost Irresistible Temptation By Jane Odiwe

Set four years after the close of Sense and Sensibility, Willoughby’s Return starts off apace with a surprise visitor (no, not that one…) plans for a ball and mounting tension in the Brandon household. Marianne Brandon wonders if she has lost that part of herself that used to be so wildly impetuous and romantic. Has marriage and motherhood irrevocably changed the girl that her husband fell in love with… or was he ever in love with her at all? It is possible that he only married her because of her resemblance to his lost love? While their marriage seems outwardly happy, Colonel Brandon’s many extended visits to Eliza Williams and her daughter cause Marianne to wonder if he might find her, so very like her mother, to be his true heart’s home.

Meanwhile, at Barton Cottage, Margaret Dashwood prepares for her first grand ball—and an introduction to one on whom all her hopes of future happiness depend. Mrs. Jennings, ever a convenient source of gossip is full of the news of Mrs. Smith’s imminent demise and the return of the Willoughbys to claim Allenham as their own.

It is impossible that all should not meet, that relationships and passions once lost should not be rekindled, for Willoughby, too, has not been unaffected by the passing years. Realizing the mistakes of his youth, how he had valued the demands of his pocketbook above those of his heart. Is it too late for true love? Can the past be undone? Are future generations doomed to repeat his mistakes?

Fans of Sense and Sensibility will rejoice to find all their old familiar friends (Middletons, Steels, Ferrars and more) once more in “all the old familiar places”. From cozy scenes at Delaford and Barton Cottage to the hectic rush of a Season in London, author Jane Odiwe constructs a compelling tale of love in all its forms. Appealing to all ages, fans of happy endings will be delighted with how the author spins her story, weaving suspense and intrigue into a well-crafted tale that manages to answer the many questions left by the original.

True love does conquer all!

You can buy your copy at our janeaustengiftshop.co.uk – click here.

Paperback: 352 pages
Publisher: Sourcebooks Landmark (30 April 2010)
ISBN-10: 140222267X
ISBN-13: 978-1402222672
RRP: £7.99


Jane Odiwe is an artist and author. She is an avid fan of all things Austen and is the author and illustrator of Effusions of Fancy, annotated sketches from the life of Jane Austen, as well as Lydia Bennet’s Story. She lives with her husband and three children in North London.

While not yet released in the UK, this title can be preordered from Amazon.co.uk or ordered online from Amazon.com, where it is available in print in the US.