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Jane Austen News – Issue 32

The Jane Austen News keeps their fingers crossed for Dominic CooperShare this: What’s the Jane Austen News this week?   Amazing Librarians Up For Award        Libraries are wonderful, magical places, and one of the things that helps the to be such is their dedicated librarians. So, in order to honour the work of these fantastic people who work in school libraries and help children to become lovers of books from an early age, the School Librarian of the Year Award was set up. We have to say, this year’s honour list, from which an overall winner will be announced in a ceremony at Covent Gardens in London on October 3rd, has some truly amazing examples of librarians who go above and beyond in their jobs. Amy McKay, librarian at Corby Business Academy in Northamptonshire, has hosted barbecues, sleepovers, a comic-con event, a zombie-apocalypse and staff-pupil battles of the books to introduce pupils to different genres and authors. Lauren Thow of Portobello High School in Edinburgh has research lessons for pupils, in which she occasionally dresses as Sir Alan Sugar and has established a Portobello High literature festival. Sophie Chalmers library at Southbrook School in Devon is housed inside a double-decker bus (how wonderful is that?) and she has established a reading-buddy scheme, connecting her own special school with the local mainstream secondary. Alison Tarrant helped to establish her library at Cambourne Village College in Cambridgeshire, and this involved the donning of  hard hats and high-visibility jackets as the build began. But the one that really caught our eye was Rachel (more…)
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Northanger Abbey: The Austen Project, by Val McDermid

northanger-abbey-austen-project-val-mcdermid-2014-x-200Share this: From the desk of Laurel Ann Nattress: In the second installment of The Austen Project, bestselling Scottish crime writer Val McDermid takes a stab at a contemporary reimagining of Jane Austen’s most under-appreciated novel, Northanger Abbey. Written in the late 1790’s when Austen was a fledgling writer, this Gothic parody about young heroine Catherine Morland’s first experiences in Bath society and her romance with the dishy hero Henry Tilney is one of my favorite Austen novels. Fresh and funny, the writing style is not as accomplished as her later works but no one can dismiss the quality of Austen’s witty dialogue nor her gentle joke at the melodramatic Gothic fiction so popular in her day. I was encouraged by the choice of McDermid as author and intrigued to see how she would transport the story into the 21st century. Our modern heroine, sixteen-year-old Cat Morland, is a vicar’s daughter living a rather disappointing life in the Piddle Valley of Dorset. Her mother and father seldom argued and never fought, and her siblings were so average she despaired of ever discovering any dark family secrets to add excitement to her life. Homeschooled, she can’t comprehend history or French or algebra, but delights in reading to fuel her vivid imagination, favoring ghost stories, zombie and vampire tales. After years of exploring the narrow confines of her home turf she craves adventure abroad. Rich neighbors Susie and Andrew Allen come to her rescue by inviting her to travel with them and attend (more…)
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Gothic Horrors: The Regency Vampyre

'Le_Vampire'

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The “modern” vampire genre (or Vampyre, if you will) stems from James Polidori’s 1819 novel, The Vampyre, however the Gothic craze of the entire Regency era led to this printing, and in fact, real events in Europe led to the fascination of all things mysterious and horrible, as characterized in Jane Austen’s novel, Northanger Abbey. It should come as no suprise, then, that Northanger Abbey has finally been rewritten as an actual Vampire inspired novel (see Val McDermid’s Northanger Abbey, 2014). Writers have been trying to mash the two genres for years now, beginning with Stephanie Meyer’s Twilight (supposedly a nod to Pride and Prejudice) and Amanda Grange’s Mr. Darcy, Vampyre, to Jane Bites Back, and other similar tales.

According to legend, vampires are mythical beings who subsist by feeding on the life essence (generally in the form of blood) of living creatures (not unlike General Tilney, one might suppose…) In folkloric tales, undead vampires often visited loved ones and caused mischief or deaths in the neighbourhoods they inhabited when they were alive. They wore shrouds and were often described as bloated and of ruddy or dark countenance, markedly different from today’s gaunt, pale vampire which dates from the early 1800s. Although vampiric entities have been recorded in most cultures, the term vampire was not popularised until the early 18th century, after an influx of vampire superstition into Western Europe from areas where vampire legends were frequent, such as the Balkans and Eastern Europe,although local variants were also known by different names, such as vrykolakas in Greece and strigoi in Romania. This increased level of vampire superstition in Europe led to what can only be called mass hysteria and in some cases resulted in corpses actually being staked and people being accused of vampirism.

Frotspiece to Polidori's "The Vampyre".
Frotspiece to Polidori’s “The Vampyre”.

The charismatic and sophisticated vampire of modern fiction was born in 1819 with the publication of The Vampyre by John Polidori; the story was highly successful and arguably the most influential vampire work of the early 19th century. However, it is Bram Stoker’s 1897 novel Dracula which is remembered as the quintessential vampire novel and provided the basis of the modern vampire legend. The success of this book spawned a distinctive vampire genre, still popular in the 21st century, with books, films, and television shows. The vampire has since become a dominant figure in the horror genre.

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Jane Austen Novels Books life and times

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Jane Austen Novels Books Life and Times

JANE AUSTEN – A LIFE IN TWO WORLDS?

Jane AustenIt is truth universally acknowledged that the author of these opening words, which are among the most famous in English literature, is perhaps the greatest writer the English language, indeed any language, has known, bar Shakespeare.

One might find it hard to think of a time when Jane Austen’s novels was not a byword for romantic fiction, and Pride & Prejudice, where the above quote derives, the last word on it. But there was, of course, such a time and this lasted up until the early years of the nineteenth century.

Once her novels began to be published, however, they came at a rate that would make Stephen King proud: Sense & Sensibility (1811); Pride & Prejudice (1813); Mansfield Park (1815); and Emma (1816). Add to this quartet the posthumous publication of Northanger Abbey and Persuasion in 1818, a year after Austen died, and it becomes one of most impressive canons of any writer.

For all the popularity of the novels during her lifetime, however, it was not until after her death that Jane Austen’s name became widely attached to them, having originally published them under the pseudonym A. Lady. And it is not until the last two decades has she achieved the world prominence reserved normally for pop stars and screen idols.

The question still remains though as to what exactly makes Austen so immensely popular in the modern day. The television and film adaptations have gone a long way, of course, but the fact remains that her books were being read, enjoyed and acclaimed more than a century before the first screen outing ever appeared.

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