Emma “works”somewhat differently from Austen’s other realistic prose narratives. Austen still exploits the differences between psychological and calendar time to pace her book and our response to it, and she paces the events of the book in a closely intertwined way with detailed references that move back and forth in time; she still introduces but one new turn at a time. However, in this book she pays attention to seasons as well as the artificial calendar, she plays hidden games with the reader, and at turn in the narrative time is allowed to seem to float free (although a study of all the references to time shows that Austen is still using her almanac to attach narratives consistently to one another across hundreds of pages.
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