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Yuletide: A Jane Austen-inspired Collection of Festive Stories


From innovative retellings of much-loved classics to the progressive spiritual successors of contemporary literature, Jane’s timeless novels and juvenalia have inspired more than their fair share of modern works and adaptations. And with the festive season fast approaching, we’re shining the spotlight on yet another fantastic publication – Yuletide: A Jane Austen-Inspired Collection of Stories.

A holiday short story anthology with some favourite Austenesque authors, YULETIDE is inspired by Jane Austen, PRIDE & PREJUDICE, and the spirit of the season. Regency and contemporary alike, each romance was dreamt to spark love, humour, and wonder while you dawdle over a hot cup of tea this Christmas.

Written and published in just one month, this Christmas themed anthology of Austen inspired short stories comes from The Quill Collective, a group of tenaciously creative authors from across the United States lead by Christina Boyd.

We have copies of the book in stock now, so get yours here!

We’re excited to announce on behalf of Christina and her team, that Yuletide will be released in audiobook format in the coming weeks. Narrated by Harry Frost, the audiobook will be available to buy on Audible late October/early November. If you’d like a taste of what is on offer, listen to the excerpts below.

We’re also delighted to say that a member of our book club will be reviewing the audiobook upon its release. The call will be going out shortly, so if you’d like the chance to receive a free download of the audiobook for review, join our book club below.




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Pride and Prejudice Adaptations: A Deep Dive Into a Controversial Topic

In this guest article by a lifelong Austen fan and recent visitor to the Jane Austen Centre, Maya Mehrara shares her opinions on the numerous TV and film adaptations of Pride and Prejudice.

It is a truth universally acknowledged that all true Austen-heads are obsessed with the most beautifully written love story of all time – Jane Austen’s one and only ​Pride and Prejudice. Don’t get me wrong – ​ her other novels are all lovely in their own right. However, for me, ​Pride and Prejudice ​has a special place in my heart. I remember the first time I read it like it was yesterday. I was ten years old, and the day that I first leapt into Lizzie Bennet’s fantastical story, my life changed forever. This sounds dramatic, but it’s true. I can honestly say that we were soul sisters from the start, and since that snowy December day in 2009, Lizzie Bennet and I have been best friends (even if it is only in my imagination). I like to believe that we are both witty, adventurous, and headstrong (to a fault). We fight hard, but we love harder. Every time I re-read her story; I feel like I am visiting an old friend that I have known forever. I will be eternally grateful to my nanny who first brought Lizzie Bennet into my world so many years ago. I will never tire of reading ​Pride and Prejudice, for it has brought me pure joy even in my darkest days.

Whenever I chat about Austen’s works with fellow Austen lovers, it becomes apparent to me that there seems to be absolutely no one who dislikes ​Pride and Prejudice. More specifically, there is no one who loves Austen who dislikes the book version of ​Pride and Prejudice. However, the real debate begins when I talk to fellow bookworms about the numerous film and TV adaptations of ​Pride and Prejudice. Most Austen-heads (including myself) have very strong opinions regarding the subject. From what I have gathered, most people either seem to love the BBC 1995 television version of ​Pride and Prejudice​ (in which Colin Firth famously portrays our iconic Mr. Darcy), or they love the 2005 Keira Knightley film version of our favourite novel.

I would like to finally settle this highly controversial debate on which version is better. I’m just going to say it – I truly believe that the 2005 film of ​Pride and Prejudice ​ is the best adapted version of the classic novel ever made. I feel that Keira Knightley is the only actress who has ever truly captured the essence of our beloved Lizzie Bennet on screen. To be completely honest, I never really loved the BBC version, and don’t even get me started on the absolute disaster that is the 1940 Laurence Olivier version of ​Pride and Prejudice… I promise that I am not all opinion and no substance on this subject. Therefore, I will explain the reasons why I feel that the 2005 version of ​Pride and Prejudice​ takes the crown.

Reason #1
Keira Knightley portrays all of Lizzie’s characteristics effortlessly – she is witty, kind, playful, and yet serious when she needs to be. She emphasizes the deep love Lizzie has for her family and her unique relationship with Charlotte. Keira Knightley depicts how Lizzie is quite stubborn and often misjudges people without realizing it (like someone else we know), but she also emphasizes how Lizzie can recognize her faults. Overall, Keira Knightley’s interpretation of Lizzie is how I have always pictured her, need I say more?

Reason #2
In the BBC version of ​Pride and Prejudice, the portrayal of a character that bothered me the most was (you guessed it) Jennifer Ehle’s version of Lizzie Bennet. First of all, I feel that Ehle’s portrayal of Lizzie was way too serious and stoic! I didn’t see any of Lizzie’s wit and playfulness being depicted at all! Unlike Keira Knightley, her performance lacks character depth and variety. I found her portrayal of Lizzie made her seem somewhat arrogant and empty.

Reason #3
Matthew Macfadyen as Mr. Darcy— I truly believe that was one of the best casting decisions ever made. I feel that he played Mr. Darcy to a T! When I see other actors play Mr. Darcy, I often see them fall into the trap of playing him as a heartless, arrogant jerk who hates people and does not display his true feelings for Lizzie until the last five minutes of the movie. However, because Matthew Macfadyen is an extraordinary actor, he did the exact opposite of this. He managed to portray Mr. Darcy as a man who seems arrogant and distant but is actually quite loving and somewhat shy (when it comes to talking about what’s in his heart). I believe that Matthew Macfadyen accurately portrays all sides of Mr. Darcy in his performance, and I think that no other actor could have played Mr. Darcy better.

Reason #4
I know that many people will be offended by this, but I’m just going to say it. Colin Firth just looked constipated as Mr. Darcy for six episodes straight. I know many Austen-heads love him and have cardboard cut-outs of him, but can you really say I’m completely wrong in my observation?

Reason #5
The cinematography alone is unmatched, incredible, and awe-inspiring. The score for the film does not get nearly enough credit; Jean-Yves Thibaudet’s music is simply heavenly, and perfectly aids in telling the story of ​Pride and Prejudice.

Need I go on? For all these reasons listed, the 2005 film version of ​Pride and Prejudice​ is my favourite adaptation of Jane Austen’s renowned novel. However, as much as I love this movie, I am a true bookworm at heart. I can say with complete confidence that there is nothing I love more than curling up underneath a huge weeping willow tree on a sunny day and leaping into the world of early 19th century England. Experiencing Lizzie Bennet and Mr. Darcy’s love story over and over again is truly magical.


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No. 1, Bath Street and Mary Smith

number 1 bath street

On Thursday 8 August 1799, Jane Austen’s aunt, Jane Leigh Perrot, visited the Haberdashery Warehouse at Number 1 Bath Street, near or opposite the King’s Bath. She bought some black lace and was accused of stealing a card of white lace. The subsequent events are well known. (Editor’s note – read more about these events here)

The history of No. 1, Bath Street is interesting and can be reconstructed from the advertisements in the Bath Chronicle. The Bath Improvement Act 1789 provided for a number of improvements to the city, including a communication from the King’s Bath Pump Room to the Hot and Cross Bath Pump Rooms by a new street, with colonnades, through the west side of Stall Street. The first stone of the new street, to be called Bath Street, was laid on 30 March 1791. On the stone there is an inscription in abbreviated Latin which the Bath Chronicle translates as follows: For the honour and dignity of this City, these works were conducted by Commissioners by Parliament appointed for its improvement, 1791. John Horton, Mayor. T Baldwin, Architect.

In April and May 1793 there were advertisements for the sale of:

That Large and Commodious New-built House,
Five rooms upon a floor. It’s being so centrical, and standing between the two Baths, and so near the Pump Room, renders its situation (beyond a doubt) one of the first in this city.
The said house is let, to very responsible tenants, on a running lease, at the yearly rent of £168.


In May and July 1795, there are advertisements for Gregory and Co, Milliners, Mantua-makers, Haberdashers, and Glovers, residing at No. 1, BATH STREET, near the King’s Bath. Apparently they had already been trading for some time. Gregory and Co may have included Elizabeth Gregory.

In January 1796, William Smith announced that he had moved from No. 13, to No. 1, Bath Street, and joined his wife, formerly Mary Gregory, the sister of Elizabeth. His advertisements in January and June 1797 end with the words: “An Elegant Suit of Apartments to let, furnished.” No doubt the lack of tenants was one cause of his subsequent financial difficulties. Mrs Smith appears for the first time in an advertisement on 11 May 1797, William Smith for the last time in an advertisement on 16 November 1797.

There is then a gap until 9 August 1798, when Mary Smith announced a sale of stock “at very reduced and low prices, such as cannot fail giving great satisfaction”. After a list of the goods for sale, she added two more paragraphs:

MARY SMITH hopes those friends who have for several years past honoured her with their commands, will continue their encouragement as it shall be her particular care to provide a constant succession of new articles worthy their attention, and her greatest wish to merit by assiduity their favour.   BATH, Aug 4, 1798.”

“All persons who have any legal demands on the estate and effects of Wm SMITH are requested to send their accounts immediately; and those indebted to the said estate are desired to pay the same without further notice to Mr L Lambe, grocer and tea-dealer, Stall Street; Mr Gye, printer, Market Place; or to Mrs Smith, aforesaid, who are duly authorised to receive the same.”

She advertised again on 8 November 1798 and on 28 March and 4 April 1799.

There is then a gap until 3 October 1799. On 1 August Wests, Milliners, announced that they were moving into No. 3, Bath Street. Competition in Bath Street must have been fierce. On 23 October 1800 Wests announced that they were moving to No. 34, Milsom Street, “Millinery Rooms Up-stairs.” And R Arnell, another milliner, who had been at No. 13, Bath Street since 15 December 1796, disappeared after 18 December 1800.

When Mary Smith returned to Bath from Cornwall, she put the following advert in the Bath Chronicle on 3 October 1799:


Haberdashery, Fur & Lace Warehouse

The Public in general are most respectfully
informed, that the LARGE STOCK of a BANKRUPT
has been just purchased in London for ready
money, and will be disposed of full FORTY per CENT
under the regular prices, at the above Warehouse, usually
carried on in the name of
Consisting of Ribbons, Gloves, etc, etc.


A second advert followed on 21 November 1799:


Haberdashery, Lace, and Fur Warehouse;

The Proprietor of the above Business most
respectfully informs her Friends and the Public that
is just returned from London, where she has laid in an
entire New Stock of the following Articles for the Winter
Trade, the whole of which she is enabled to tender at
very reduced prices; consisting of
Black, Silver, and Isabella BEAR MUFFS, from 12s. to 5gs.
etc, etc.


A third on 6 February 1800:



SMITH respectfully informs her Friends
And the Public, that she has this day commenced
In order to make room for SPRING GOODS;
Consisting of FURS of every description;


S. begs the LADIES’ particular attention to the
above, as she is determined to dispose of the whole, well
worth the attention of her Friends.


And a fourth advert on 10 and 17 April 1800, after the decision of the Taunton Assizes, and in a column next to William Gye’s pamphlet about the trial:




SMITH most respectfully begs leave to
Inform her Friends and the Public, she is recently
returned from London, where she has purchased a
very large and elegant Assortment of FASHIONABLE
VEILS, etc. etc.

SMITH assures her friends they may depend on
having every article in the FANCY WAY immediately on
their being introduced in Town, as her connections are
well established with the first Manufacturers in London.
SMITH returns her most grateful thanks to
those numerous friends who have hitherto honoured her
with their favours; and assures them every exertion in her
power shall be made to merit a continuance of the same.

After that there were 11 more advertisements in 1800 and almost one a month until 26 March 1807, making a total of 80 adverts in her name in the period 1798-1807.

Of special interest is the advert on 8 and 15 December 1803:

To be SOLD OFF, at and under Prime Cost,

All the Newly-selected and Valuable STOCK of LACES, etc.

N.B. All persons indebted to the above Estate are requested to pay the same into the hands of M SMITH, the Administration, at No. 1, Bath Street; — and all persons to whom the said Estate is indebted, are desired to send in their accounts.


The last advert, on 26 March 1807, is as follows: 


M SMITH respectfully offers to her Friends
and the Public the Remaining Part of her
(In order to make room for SPRING GOODS;)
Consisting of millinery, etc.

To which (as Great Bargains) she begs the attention of her Friends.


Mary Smith

In all previous accounts of the affair Mary Smith has been a shadowy figure. She was the wife of William Smith, milliner and haberdasher, who went bankrupt and absconded. She ran the warehouse briefly herself. In 1799 she went down to Cornwall and never re-appeared. It seems to be assumed that Elizabeth Gregory kept the shop, with Charles Filby, until the trial, after which “the Man is off and the Shop I hear must be ruin’d” (Jane’s letter of 14 April 1800).

The truth is very different. She was clearly a brilliant businesswoman, who ran the warehouse successfully herself from 1798 to 1807, apart from a short period in August 1799. Our information ends on an optimistic note, a sale of the winter stock in order to make room for the spring goods.

That leaves a lot of questions. When she returned to Bath in September 1799, she took the business back in hand, trading in her own name as proprietor. Did she sack Filby? He pretended to be very ill (MacKinnon, 28). That may have been to explain why he was no longer in the shop. Did she sack Elizabeth Gregory, her sister? When Mr Dallas cross-examined her at the trial, she said she knew of an advertisement having been made in Smith’s name, for selling off the stock (Pinchard, 11). That presumably refers to the advertisement of 6 February 1800. It is an odd question to ask a member of staff, who would have been involved in the sale itself, but a reasonable question for someone who was no longer a member of staff. The evidence at the trial is about who was keeping the shop and carrying on the business on 8 August 1799. There is no mention of who was doing so on 29 March 1800.

What did Mary Smith think about the prosecution? Did she simply decide to have nothing to do with it, on the basis that she was not there at the time?

Where was Mary Smith on the day of the trial? Did she stay in Bath, running the shop?


This article was written by guest contributor, David Pugsley, who is the Honorary Archivist of the Western Circuit.