This Spring 2018, Theatre6 is producing a touring production of Jane Austen’s Persuasion. Artistic Director Kate McGregor discusses why they’ve chosen to adapt the work for six actor musicians, and why Persuasion remains so captivating for today’s audiences. Adapting a novel like Jane Austen’s Persuasion for the stage, from the earliest planning stages until the opening night, is a project that absorbs your days and nights for at least two years. In making the decision to dedicate such time to a piece, it has to be one which you’d like to explore visually, conceptually, emotionally and intellectually. Most importantly, it has to be a story that will excite, captivate and be relevant for your audiences. For Stephanie Dale (the novel’s adapter) and I, our biggest inspiration for working on the piece was the character of Anne. We envisioned how the themes in Persuasion could transcend time and space, and imagined how Jane’s ideas could breathe and thrive in our modern world. A novel must show how the world truly is, how characters genuinely think, how events actually occur, a novel should somehow reveal the true source of our actions – Jane in Becoming Jane. Set against the backdrop of the Napoleonic wars, this is a story about heartbreak. It’s about making decisions you regret, about trusting the right people for the wrong reasons. It asks questions about the inner workings of why we love and who loves the longest. Most importantly it’s an expression of Anne inner thoughts (more…)
This is an important year for fans of Mary Shelley, it being the 200th anniversary of the publication of her most famous novel, Frankenstein. There will be plenty of books published this year which centre on the book and on the author herself, but one that’s caught our eye is Pride and Prometheus by John Kessel.
In the original novel, Victor Frankenstein and his friend Henry Clerval run away to England and Scotland when the creature they have made demands that they make a mate for him. In Pride and Prometheus, Kessel has the pair meet Mary Bennet, the bookish and often slighted Bennet sister, who is portrayed in the novel as a keen amateur scientist who is fascinated by Frankenstein’s ideas. (Mr Darcy and Lizzy Bennet also make an appearance but it is fleeting).
Naturally the creature has followed Frankenstein and Clerval on their escape, and it’s not too long before the Bennet family is mixed up in the melodrama of the Frankenstein saga.
As book fusions go, this one is done exceedingly well, and has much that will delight fans of Austen and Shelley alike, especially if the tongue-in-cheek mockery of gothic novels in Northanger Abbey was something you enjoyed.
When she was nineteen, Miss Mary Bennet had believed three things that were not true. She believed that, despite her awkwardness, she might become interesting through her accomplishments. She believed that, because she paid strict attention to all she had been taught about right and wrong, she was wise in the ways of the world. And she believed that God, who took note of every moment of one’s life, would answer prayers, even foolish ones.
By Sara-Mae Tuson
Exactly one year ago this week my friend Beth and I were having tea and cake in the Victoria and Albert Museum, when I asked her if she fancied joining me in setting up a boutique podcast company. So ‘Fable Gazers’ was born – a podcast company which aims to produce narrative podcasts with our own special twist.
With literary-themed podcasts in their infancy, there’s still room for new voices. Our ambitions are vast: we want to produce the next podcast obsession. With audio content (according to Oliver Deane, Director of Commercial Digital at DAX) set to make up 30% of advertising revenue it looked like a promising proposition. But it wasn’t the prospect of making money that inspired us to create Fable Gazers. It was two passion projects, one started by a friend’s shocking revelation to me, and the other created because of a need to find a podcast about two of my favourite writers.
I thought it might be possible to keep creating beautiful audio stories, not as a one-off, but as a proper company. With books being a passion of mine, particularly those of a certain famous author who died far too young, after shaping my young mind with such classics as Pride & Prejudice, Sense & Sensibility and more, I wanted to do something that covered an area of Austen’s world which hasn’t been done to death – and it hit me, what about the intersection between her work and the Regency romance novels of Georgette Heyer?
So, I began work on Heyer Today. Like The West Wing Weekly, in which Hrishikesh Hirway and Josh Malina discuss every episode of The West Wing with celebrity guests, our second season, Heyer Today, will have us discussing fourteen of Georgette Heyer’s books with someone who has never read one, attempting to ‘convert’ them to her work, as well as comparing them to Austen’s six classic novels as we go along. For many of us who adore Jane Austen’s work, Heyer is the closest thing we can find to our favourite literary heroine.
There were several revelations for me in the course of researching Heyer Today, and I’ve come to admire her even more than I did before beginning the process. For instance, she wrote almost two books a year throughout her career, supported her family with her work, and has never been out of print!