Included in the collection at Jane Austen’s House Museum at Chawton are a few pieces of jewellery owned by the Austen women. These include Jane’s gold and turquoise ring, and the topaz crosses brought back from a voyage by the Austen’s younger brother, Charles. Both of these are available at the Jane Austen Gift Shop as beautiful replica pieces. And now, due to great demand, we have at last added our version of the third piece: Jane’s lovely beaded bracelet. Courtesy Jane Austen’s House Museum / Peter Smith Our lovely new replica Made exclusively for us in Somerset, each bracelet is intricately hand strung with Miyuki Glass Seed Beads, and completed with a Sterling Silver Gold Plated Box Clasp. It’s a must for fans and collectors alike, as well as a delightful accessory in its own right. Even Jane approves..! You can see our lovely new replica bracelet here Save (more…)
Miss Thorpe, however, being four years older than Miss Morland, and at least four years better informed, had a very decided advantage in discussing such points; she could compare the balls of Bath with those of Tunbridge, its fashions with the fashions of London; could rectify the opinions of her new friend in many articles of tasteful attire; could discover a flirtation between any gentleman and lady who only smiled on each other; and point out a quiz through the thickness of a crowd. Northanger Abbey Eyeglasses as we know them today, with side pieces that rest on the ears, were invented in 1727 by an Englishman named Edward Scarlett. Until that time, reading aids were often perched precariously upon the nose or were hand held. A “quizzing glass” was a single magnifying lens on a handle which was held up before the eye to enable closer scrutiny of the object in view. The quizzing glass is not to be confused with the lorgnette, which has two lenses, and more often than not a correctable (prescription) lens rather than a simple magnifier. A monocle is also a single-lens device but is meant to fit into the eye socket and therefore does not have the longer handle of the quizzing glass, which was held in front of the eye. The earlist examples of single-lens hand-held reading devices date back to the 12th century and were simple affairs with bone or brass handles used by scholars and clerks. It was not until (more…)
There they are, in portraits, paintings and engravings, with earnest faces and cute clothes. But what did they wear underneath? Surely not the whole understructure their parents wore? Just like their mothers, both boys and girls would have worn a chemise. This basic garment was usually made of linen, and followed the lines of the adult version, with one exception: Children’s chemises often omitted the side gussets, which added width to women’s chemises, thus being basically T-shirt shaped. On the other hand in well-to-do families they did even sport lace ruffles at the decollete and sleeve seams. Over the chemise followed a pair of stays. During the earlier Georgian period current medical opinion held that the tender bodies of infants had to be protected and shaped by stays, and in many costume collections we find heavily boned specimen made for children not even one year old. Towards the last quarter of the century, when enlightenment finally won the upper hand and children’s clothes began to show signs of classical influence long before they made their first appearance in ladies’ fashions, the small corsets became less resticting and less rigid, most of them being almost entirely unboned. The garment itself was retained, however, serving a new purpose now: Since the children no longer had artifcially formed “hips”, other ways to keep the petticoats up were needed and found in buttons attached to the stays, on which the petticoats could be fastened. Infants’ stays, 1780 – 1810, showing cording on the front (more…)
Easter is still two weeks away, and yet, somehow the delightful tradition, begun in childhood, of having something new to wear Easter Sunday morning, has me scrambling. The girls (8 and 10 respectively) plead their case last year, not to have to wear gloves and hats to church, but one still feels the need to be turned out fresh and new to celebrate not only the Saviour’s triumph over death, but also spring’s triumph over the cold of winter. A Wet Sunday Morning by Edmund Blair Leighton. In Jane Austen’s novels and letters, Easter is seen more as a time of travel (Mr. Collins to be ordained, Darcy travling to Kent, Mrs. Rushworth staying in Twickenham, along with Jane’s mention of herself, Henry and Edward all traveling at different times during Easter) rather than a season for new clothes. However, the long held habit of beginning a new season with new clothes can be dated back at least to the 16th century, with only a look at Shakespeare’s Romeo and Juliet (“Did’st thou not fall out with a Tailor for wearing his new Doublet before Easter?”) or even the great Samuel Pepys, who wrote: 30 March (Easter Day) 1662 Having my old black suit new furbished, I was pretty neat in clothes to-day, and my boy, his old suit new trimmed, very handsome. The almanac writer, Poor Robin (1661-1776) notes, At Easter let your clothes be new Or else be sure you will it rue. An image from Atelier de (more…)
Caps of all shapes and sizes had long been in use by men and women as fashion accessories and protection from the elements. There was an added benefit to the Regency miss, which Jane Austen wrote about to her sister, “I have made myself two or three caps to wear of evenings since I came home, and they save me a world of torment as to hairdressing which at present gives me no trouble beyond washing and brushing, for my long hair is always plaited up out of sight, and my short hair curls well enough to want no papering.” The mob cap or mob-cap is a round, gathered or pleated cloth (usually linen) bonnet consisting of a caul to cover the hair, a frilled or ruffled brim, and (often) a ribbon band, worn by married women in the Georgian period, when it was called a “bonnet”. Originally an informal style, the bonnet became a high-fashion item as part of the adoption of simple “country” clothing in the later 18th century. It was an indoor fashion, and was worn under a hat for outdoor wear. During the French Revolution, the name “Mob Cap” caught on because the poorer women who were involved in the riots wore them, but they had been in style for middle class and even aristocracy since the century began. Marie Antoinette in an oversized mob cap, c. 1792 By the Victorian period, mob caps lingered as the head covering of servants and nurses, and small mob (more…)
During Austen’s era, fashion leaders looked to the past for inspiration. Anything that resembled ancient Rome or Greece was bound to be popular, from sandals and nymph like gowns, to short hair cuts for ladies, like the Titus or Brutus.
One accessory that remained popular from the late 1700’s through mid 1800’s, was the bandeau (plural=bandeaux). The name comes from the French word for “strip” and involved wrapping ribbon, pearls or a length of fabric though one’s hairstyle, or around one’s head (sometimes even the forehead). The result was often styled “à la Grecque”, no doubt heightening it’s appeal all the more.
Imagine attending a performance at the Theatre Royal, Drury Lane and you discover the object of your affection is sitting in a box to your right. You have no desire to make a spectacle of yourself by leaning out of your box to see who they are with, so you take out what appears to be a straight-barrel spyglass and point it at the stage. While it looks as if you are focusing your attention on the performance, the ingenious spyglass you are holding is allowing you to watch the people in the box to your right. Now you can stare to your heart’s content and no one will be the wiser.
While researching a pair of antique opera glasses this past week, I stumbled across a fun accessory I’d never heard of known as the “jealousy glass.” It looks like a single barrel opera or field-glass, but it actually contains an oblique lens and side aperture that allows the user to discretely see what is happening to their left or right.
The jealousy glass, also known as a polemoscope, was invented by the German-Polish astronomer Johannes Hevelius in 1637. Hevelius believed his invention could have military uses, but the viewing angle was found to be too narrow. During the 18th century, the general population began using the polemoscope to spy on other people.
When first we came, all the umbrellas were up, but now the pavements are getting very white again.
Jane Austen to Cassandra
Bath, May 17, 1799
During the 17th century, ladies used parasols for protection from the sun. A century later they were using oiled umbrellas as protection from the rain as well. By the early 19th century, the design of the umbrella had improved and its use had become widespread. After Maria’s marriage, Fanny Price was overtaken by a heavy shower close to the Parsonage and sought shelter under an oak. When the Grants spotted her, they sent out a servant, but Fanny was reluctant to come in:
A civil servant she had withstood but when Dr Grant himself went out with an umbrella there was nothing to be done but to be very much ashamed and to get into the house as fast as possible; and to poor Miss Crawford, who had just been contemplating the dismal rain in a very desponding state of mind, sighing over the ruin of all her plans of exercise for that morning, and of every chance of seeing a single creature beyond themselves for the next twenty four hours, the sound of a little bustle at the front door and the sight of Miss Price dripping with wet in the vestibule was delightful. – Jane Austen, Mansfield Park