Is Pride and Prejudice primarily a Cinderella story? How you answer that question may well determine whether you enjoy or detest the 2005 Keira Knightley/Matthew Macfadyen film. When spending quality time with Jane Austen’s novel, gentle reader, do you imagine paint peeling from the Bennet family home or picture Longbourn’s back garden as a filthy barnyard? Does Mr. Bennet potter about the house unwashed, unshorn and unshaven? Does his beloved library resemble the leftovers of a jumble sale? One might assume that the Bennets could do better with an estate that is lawfully their own and two thousand a year. However, this appears to be Director Joe Wright’s interpretation of the novel as “social realist drama.” Dear me! And what would Jane Austen make of that? The poverty, grime and crumbling gentility adds what Wright refers to as “a bit more street,” if this is considered desirable. But what is “street” about Mr. Darcy trudging through a foggy field, white shirt front agape, looking for all the world like Heathcliff in Wuthering Heights? Or was it an attempt to offer up Matthew Macfadyen as a wet shirted substitute for Colin Firth? Other choices seem to defy any analysis. Why turn Mr. Bingley (Simon Woods) into a giggling idiot, someone not safe to be let out unattended? Why would Darcy befriend such a man, and what could possibly induce Jane Bennet (Rosamund Pike) to shackle herself to him for life? Charlotte Lucas (Claudie Blakley) appears fortunate by comparison. Charlotte’s fear of
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