We love costumes dramas. Some of our favourite recent viewings have been the hit costume dramas shown over Christmas. We had the sumptuous The Miniaturist, we had a new three-part adaptation of Little Women, and we’ve had a Call The Midwife Christmas special. Over the past few years we’ve had Downton Abbey, The Crown, Lark Rise to Candleford, Cranford, War and Peace… We could go on.
However, while we’ve very much enjoyed these, in an interview about being based in Britain, actress Thandie Newton has highlighted a problem about having a dominance of costume dramas in the British entertainment industry.
I can’t work, because I can’t do Downton Abbey, can’t be in Victoria, can’t be in Call The Midwife … there just seems to be a desire for stuff about the royal family, stuff from the past, which is understandable, but it just makes it slim pickings for people of colour.
Part of the problem is that if every costume drama is adapted from a book which only features upper-class white characters, then that’s all there will be on TV. Historical accuracy is one thing, but should it come at the cost of diversity within the acting world? Some within the television and film industry are calling for script writers to write scripts which allow for a more diverse range of actors to be represented within the cast. Afterall, if Maxine Peake can play the male role of Hamlet at the National Theatre, why can’t an actor like Idris Alba play Colonel Brandon?
What are your thoughts?