200 years after it was first published, John Mullan, professor of English at University College London and a specialist in eighteenth-century literature, is arguing that Jane Austen’s Emma belongs alongside the works of Flaubert, Joyce and Woolf as one of the great experimental novels.
Mullan argues that Emma was not revolutionary because of its subject matter, but was revolutionary in its form and technique. “Its heroine is a self-deluded young woman with the leisure and power to meddle in the lives of her neighbours. The narrative was radically experimental because it was designed to share her delusions.”
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