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Mad about Mob Caps

Caps of all shapes and sizes had long been in use by men and women as fashion accessories and protection from the elements. There was an added benefit to the Regency miss, which Jane Austen wrote about to her sister,

“I have made myself two or three caps to wear of evenings since I came home, and they save me a world of torment as to hairdressing which at present gives me no trouble beyond washing and brushing, for my long hair is always plaited up out of sight, and my short hair curls well enough to want no papering.”

The mob cap or mob-cap is a round, gathered or pleated cloth (usually linen) bonnet consisting of a caul to cover the hair, a frilled or ruffled brim, and (often) a ribbon band, worn by married women in the Georgian period, when it was called a “bonnet”. Originally an informal style, the bonnet became a high-fashion item as part of the adoption of simple “country” clothing in the later 18th century. It was an indoor fashion, and was worn under a hat for outdoor wear. During the French Revolution, the name “Mob Cap” caught on because the poorer women who were involved in the riots wore them, but they had been in style for middle class and even aristocracy since the century began.

Marie Antoinette c. 1792
Marie Antoinette in an oversized mob cap, c. 1792

By the Victorian period, mob caps lingered as the head covering of servants and nurses, and small mob caps, not covering the hair, remained part of these uniforms into the early 20th century.

Raimundo_Madrazo_-_La_Toilette
Note the cap on the lady’s maid, as well as her misteress’s fancier cap on the toilette table, in this painting, by Raimundo de Madrazo y Garreta (1841–1920) La Toilette, painted between 1890 and 1900 (but showing a scene from the Georgian era, based on the clothing)

 

Historical information and photos from Wikipedia.com

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The Breeching Ceremony of a Young Boy and His Rite of Passage

The alternative was a skeleton suit

From Petticoats to Skeleton Suits…

Over a year ago I read a fabulous blog post on the Regency Redingote entitled  Boy to Man: The Breeching Ceremony. The article is thorough and I was quite satisfied with its information until I ran into this quote, written by Jane Austen in 1801 to her sister Cassandra:

Mary has likewise a message: she will be much obliged to you if you can bring her the pattern of the jacket and trousers, or whatever it is that Elizabeth’s boys wear when they are first put into breeches; so if you could bring her an old suit itself, she would be very glad, but that I suppose is hardly done.”

This short passage told me much more about the topic and I decided to pursue it further.

Portrait of William Ellis Gosling, 1800 , Sir William Beechey, R.A. Image @Wikimedia Commons
Portrait of William Ellis Gosling, 1800 , Sir William Beechey, R.A. Image @Wikimedia Commons

 

During the 18th century boys and girls were dressed alike in baby clothes during their infancy and in petticoats as toddlers. In Beechey’s image, our modern eyes would not identify the infant as a boy unless he was labeled as such.

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