One of the services Ackerman’s Repository of the Arts provided for it’s readers (both at the time of publication and today) was the inclusion of colored fashion plates depicting not only the styles prevalent in Women’s wear, but also in home fashion. Under normal circumstances, each issue would include at least one depiction of home furnishings (drapery, furniture, fire places, etc.) However, in 1816, a new series was designed, entitled Architectural Hints. When this series concluded in 1817, these illustrations were published together in 1818, in a separate book in titled “Rural Residences Consisting of a Series of Designs for Cottages, Small Villas and Other Ornamental Buildings”. The drawings included in this series delightfully depict country living and might have been drawn straight from the pages of Sense and Sensibility, with their cottages, vicarage, and even out buildings.
“I am excessively fond of a cottage; there is always so much comfort, so much elegance about them. And I protest, if I had any money to spare, I should buy a little land and build one myself, within a short distance of London, where I might drive myself down at any time, and collect a few friends about me and be happy. I advise everybody who is going to build, to build a cottage.”
―Robert Ferrars, Sense and Sensibility
Enjoy the following drawings and blueprints from Ackerman’s 1816 run. Detailed articles for each drawing can be found in the pages of Ackerman’s Repository, now available from Google Books. Right click on each image and choose “view image” for a full size view.
Continue reading Rural Residences: Designs for Cottages, Small Villas and Other Buildings
James Gillray (13 August 1756 or 1757 – 1 June 1815), was a British caricaturist and printmaker famous for his etched political and social satires, mainly published between 1792 and 1810.
He was born in Chelsea. His father, a native of Lanark, had served as a soldier, losing an arm at the Battle of Fontenoy, and was admitted, first as an inmate, and afterwards as an outdoor pensioner, at Chelsea Hospital. Gillray commenced life by learning letter-engraving, at which he soon became adept. This employment, however, proved irksome to James, so he wandered about for a time with a company of strolling players. After a very checkered experience he returned to London and was admitted as a student in the Royal Academy, supporting himself by engraving, and probably issuing a considerable number of caricatures under fictitious names. His caricatures are almost all in etching, some also with aquatint, and a few using stipple technique.
None can correctly be described as engravings, although this term is often loosely used to describe them. Hogarth’s works were the delight and study of his early years. Paddy on Horseback, which appeared in 1779, is the first caricature which is certainly his. Two caricatures on Admiral Rodney’s naval victory at the Battle of the Saintes, issued in 1782, were among the first of the memorable series of his political sketches.
Continue reading James Gillray: Regency Caricaturist
Elinor sat down to her lady’s drawing table as soon as he was out of the house, busily employed herself the whole day, neither sought nor avoided the mention of his name, appeared to interest herself almost as much as ever in the general concerns of the family; and if, by this conduct, she did not lessen her own grief, it was at least prevented from unnecessary increase, and her mother and sisters were spared much solicitude on her account.
-Sense and Sensibility
Fashionable Furniture from The Repository of Arts by Rudolph Ackermann, February, 1814
The very elegant and tasteful article represented in the annexed engraving, is intended to serve the double purpose of usefulness and pleasure. In the first, it is convenient as a breakfast or as a sofa-table; it also forms a convenient writing or drawing-table, with drawers for paper, colours, pencil, &c. For the second, a sliding board for the games of chess, drafts, backgammon, &c. which slides under the desk. It is very light, goes upon castors, and is particularly pleasant to sit before, as there is sufficient accommodation for the knees by its projecting top.
The chair is contrived for study or repose. Its sweeping form is calculated to afford rest to the invalid; and the arms are sufficiently low to allow it to be used at the writing or reading-desk. It is lighter than its form would indicate, and it is easily moved, being placed upon traversing castors.