by Rhian Helen Fender
“Mrs Edwards thinks you are a child still. But we know better than that, don’t we.”
So began the 2008 television adaptation of Jane Austen’s 1811 novel Sense and Sensibility, with the cad Willoughby seducing the naïve ward of heroic Colonel Brandon. The atmosphere seductive with low-light and fireplace burning, ripping bodices and whispered words… In its review, the Telegraph described how viewers tuned in “with jaws dropped, to this unexpected opening for an Austen adaptation.” The question is, why? Why would viewers deem a sultry scene unexpected in an adaptation of the work of Austen? Austen appears to have a reputation for representing everything that is light and lovely, with the admiring Sir Walter Scott describing Pride and Prejudice (1813) as “a very pretty thing.” Austen herself seemed aware – and concerned – of her delicate reputation, stating her fear that the novel Scott so admired was “too light, and bright, and sparkling.” Whilst it is true to state that Austen was largely focussed on the lower gentry of which she was personally aware, it would be a disservice to her work to suppose she did not consider larger social influences or events, nor the more scandalous actions of those whose world she so accurately depicts. Within Austen’s novels are various themes that are often ignored or unseen when analysing her work, considered too sinister in the works of the purportedly genteel Jane Austen.
Mansfield Park (1814) tells the story of young Fanny Price, a girl able to rise above her station due to the wealth and goodwill of her extended family. The source of that power, however, is controversial due to the head of the household’s links to the slave trade. It would be an exaggeration to proclaim the novel as slavery prose – allusions to the system are rare and implicit – yet the very fact that Austen chooses to even subtly reference slavery is a bold move. The one direct reference to slavery comes as Fanny describes a family conversation with her cousins and uncle: “And I longed to do it – but there was such a dead silence. And while my cousins were sitting by without speaking a word, or seeming at all interested in the subject.” Austen leaves it to the reader to deduce why Fanny’s family might be silent when discussing slavery – disinterest, embarrassment, shame, ignorance –and it is this empowerment of the reader in reaching their own conclusions which gives this brief passage weight. Austen does not preach to her readers, but allows them to make their own deductions. Sir Thomas Bertram’s years at his plantation in Antigua is what allows much of the action of the novel to occur – unloving marriages, flirtation and seduction – and the reader is not incorrect in supposing that Sir Thomas’s focus would have been better placed at home, rather than in underhand dealings abroad. Continue reading In Defence of Jane Austen