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The new Jane Austen Portrait by Melissa Dring

New Jane Austen portraitThe New Jane Austen Portrait using source material and forensic methods Introduction: Forensic Artist Melissa Dring In 2001, Melissa Dring* was commissioned by David Baldock, the Director of the Jane Austen Centre, Bath, to produce a new portrait of the author, as she might have appeared during her time in Bath, 1801-06. Combining the insights of the professional portrait painter with those of the police forensic artist, Melissa was uniquely qualified to accept this challenge. David Baldock had heard of her work on a speculative likeness of the Venetian composer Antonio Vivaldi. A film producer, wanting a likeness to use as a casting aid for a proposed film biography of the composer, and feeling it was a job for a forensic artist, had approached Scotland Yard, who recommended Melissa. The difficulty with both commissions was their shared lack of reliable contemporary portraiture, although a wealth of written eye-witness accounts survive in both cases. Melissa Takes up the story… My new speculative likeness of Jane Austen fills the gap left by the paucity of authenticated representations of the author. As I hope it will come to be accepted as a good portrait of her, despite being made 185 years after her death, I will describe the research and working methods I used, so that it can be seen how it is based almost entirely on solid fact, and how little guesswork was needed. There is a tiny pencil and watercolour sketch of her, in the National Portrait Gallery in London, by (more…)
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A New Jane Austen Portrait by Melissa Dring

New Portrait of Jane AustenA New Jane Austen Portrait New portrait of Jane Austen Just how do you begin a new portrait of the author so many years after her death? What did Jane Austen really look like? Forensic artist Melissa Dring takes up a commission by David Baldock to use contemporary eye-witness accounts of Miss Austen’s features and character to produce an authentic Jane Austen portrait for the the many visitors interested in what the renowned author really looked like. Melissa uses here experience of working with the police in facial reconstruction to put together an image that she says is as close as it can be to a definitive likeness. Her work has been internationally recognised and Melissa is in demand as a keynote speaker. Creating the new Jane Austen portrait from forensic sources. We know you want to see how she did it so follow the link below to a fascinating article which was first published in ‘Jane Austen’s Regency World’ magazine in early 2003. New Portrait of Jane Austen (more…)