Austen Superpowers: Finding Yours with Lizzy Bennet Kindly reproduced here with permission from its author, Laurie Viera Rigler, who is also the author of the popular Jane Austen Addict novels. We dream of them. We want to be them. We wish they were our best friend. Or our partner. And sometimes, we wish we could shake some sense into them. They are Jane Austen’s heroines and heroes. Each of them has a flawed humanity, but each also has a unique and special quality—an Austen superpower, if you will. Which is why they are so eminently relatable. Like them, we too are flawed. And like them, we have those same superpowers. They may be hidden away where we cannot see them, but they are there neverthless. All we have to do is believe. How do we do that? By following the lead of Austen’s leading ladies and men, who dig down deep within themselves to access their own superpowers. In this first of a series of posts, we turn to the heroine who is perhaps the most beloved of all: Elizabeth aka Lizzy Bennet of Pride and Prejudice. via GIPHY What are Lizzy Bennet’s superpowers? 1. The ability to have a cheerful attitude and sometimes even laugh in the face of humiliation and disappointment. via GIPHY 2. The ability to recognize and admit that she has been as proud and judgmental as the person she condemned for those same qualities. Let’s discuss Superpower 1 first. This is a tricky one, because (more…)
What’s the Jane Austen News this week?
A Writer With Friends? Heaven Forbid!
Authors Emily Midorikawa and Emma Claire Sweeney have recently seen their new book A Secret Sisterhood: The hidden friendships of Austen, Brontë, Eliot and Woolf published, and to go alongside the book they wrote an article for the Times newspaper which threw a little more light on why female authors so often have their female friends ‘airbrushed’ out of their lives by their family and society. When it came to Jane, they focused on her dear friend and fellow writer Anne Sharp, whom Jane, when in ailing health in 1817, proclaimed herself forever “attached” to.
So why do we hear so little about Anne who Emily and Emma say Jane had such a strong bond with?
Such a friendship flouted the social norms of the time. By keeping it out of official versions of Austen’s life, the family could create a false image of the famous author as a conservative maiden aunt, devoted above all else to kith and kin. As a result, the close bond she shared with Anne, who wrote plays in between teaching lessons, has become one of literature’s most enduring secrets.
Even today, as in Jane Austen’s time, it can be difficult to overcome the notion that a close, platonic female bond somehow threatens the allegiance a woman owes to her family. And while the opening up of professional roles during the 20th century has brought new opportunities for collaboration between women, the stereotype of the ambitious woman who jealously guards her place at the top continues to pervade.
This goes some way to explaining why the important friendships of female writers have failed to make it into literary lore.
At the Jane Austen News we found this to be a most interesting idea, and not one we’d really thought about before.
Mr Bennet Gets Brewing!
A team from the Jane Austen Centre, including our Mr Bennet (Martin) and Jane Austen Festival director Jackie Herring, had a lovely day out this week at the Bath Brew House, where they helped to create a special Jane Austen beer.
The new beer is being created to celebrate Jane’s bicentenary year and will be an “Earl Grey, Red Ale”. It’s rather an appropriate tribute to Jane, given that she was a master brewer of Spruce beer herself.
The new tipple is due to be ready on July the 1st (just in time for the Jane Austen Summer Ball in Bath), and all of us at the Jane Austen News are very keen for a sample (or two)!
Continue reading Jane Austen News – Issue 71
Is Pride and Prejudice primarily a Cinderella story? How you answer that question may well determine whether you enjoy or detest the 2005 Keira Knightley/Matthew Macfadyen film. When spending quality time with Jane Austen’s novel, gentle reader, do you imagine paint peeling from the Bennet family home or picture Longbourn’s back garden as a filthy barnyard? Does Mr. Bennet potter about the house unwashed, unshorn and unshaven? Does his beloved library resemble the leftovers of a jumble sale? One might assume that the Bennets could do better with an estate that is lawfully their own and two thousand a year. However, this appears to be Director Joe Wright’s interpretation of the novel as “social realist drama.” Dear me! And what would Jane Austen make of that? The poverty, grime and crumbling gentility adds what Wright refers to as “a bit more street,” if this is considered desirable. But what is “street” about Mr. Darcy trudging through a foggy field, white shirt front agape, looking for all the world like Heathcliff in Wuthering Heights? Or was it an attempt to offer up Matthew Macfadyen as a wet shirted substitute for Colin Firth? Other choices seem to defy any analysis. Why turn Mr. Bingley (Simon Woods) into a giggling idiot, someone not safe to be let out unattended? Why would Darcy befriend such a man, and what could possibly induce Jane Bennet (Rosamund Pike) to shackle herself to him for life? Charlotte Lucas (Claudie Blakley) appears fortunate by comparison. Charlotte’s fear of (more…)