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Jane Austen News – Issue 155

The Jane Austen News sees Statue scrapped

What’s the Jane Austen News this week? 


Ammonite Arrives in Lyme Regis  

Jane Austen’s Sanditon isn’t the only Period drama being filmed this year that we’re looking forward to. A new film called Ammonite is another film in progress that we’re keen to see.

As well as Jane Austen, if you’ve read about some of the other marvellous women from the Georgian and Regency eras, you’ll certainly have heard of Mary Anning. Anning is renowned for her discoveries of Jurassic fossils around Lyme Regis, Dorset, and in 2010 she was named as one of the Royal Society’s ten most influential British women in science. Although her work, including the unearthing in around 1811 of a 17-foot ichthyosaur skeleton when she was just 12, went largely uncredited in her lifetime because she was a woman (and a very young woman too), now her life will come to the silver screen in a new Period film.

Kate Winslet and Saoirse Ronan are to star in the film, named AmmoniteAmmonite, will be set in a British coastal town in the 1840s and is understood to follow Anning as she becomes the nursemaid for a wealthy woman from London who visits for a period of convalescence. Ammonite is been developed by See-Saw Films, the British Film Institute and BBC Films, and filming is set to start in March in Lyme Regis.

There are no pictures of the film in progress yet, as filming is yet to commence, but when it does start there’ll be quite the sight to see as the filming crew want to build a two-storey fake Georgian house front and install a fake stone wall to help take Lyme back to the 1840s.

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Jane Austen News – Issue 61

What’s the Jane Austen News this week?   

 Lucy Worsley on Jane Austen  

In the lead up to the publication of her new book about Jane Austen, Jane Austen at Home, published in the UK by Hodder & Stoughton on 18th May 2017, Lucy Worsley has been writing various articles and giving interviews for websites and newspapers exploring aspects of Jane’s life.

Within the latest article, written for The Sunday Times by Sian Griffiths, Lucy Worsley has highlighted come of the suitors which Jane apparently spurned in order to keep writing.

“She turned down four or five proposals of marriage and financial security to have a go at living by her pen. And because it wasn’t socially appropriate for her to be a writer, she had to write in secret, and go on pretending to be a good daughter, aunt and housekeeper.”

“The list of potential suitors included Charles Powlett, who wanted to kiss Austen when he was 20; Tom Lefroy; the Reverend Samuel Blackall; Harris Bigg-Wither, who proposed only to be turned down by the writer within 24 hours; the Reverend Edward Bridges; Robert Holt Leigh, an MP who flirted with Austen; and William Seymour, a lawyer.”

However, Deirdre Le Faye, editor of Austen’s letters, said that while she accepted that there were several men in Austen’s life, she did not believe the author spurned them so that she could be a writer, or that she made feminist choices.

“Lucy Worsley enjoys mak­ing history fun,” said Le Faye, “but I do not agree with her argument. There were eligible young men in Jane Austen’s orbit but I do not know of evidence she turned them down so she could carry on writing, but we will never know.”

The full article can be found here.


 Joanna Trollope on Jane Austen and The Austen Project 

Best-selling author Joanna Trollope was one of six authors picked to take part in the Austen project; an initiative begun in 2013 by publisher Harper Collins, which saw top contemporary authors reworking Jane’s six completed novels for a modern audience.

This week Joanna was answering questions via The Guardian website and one of the questions she was asked was:

What is the case for the rewrites of Jane Austen’s books? You have redone Sense and Sensibility while others of the Austen canon have been reworked by others. How would you react if a publisher proposed that your books be rewritten by others?“.

Here’s what she had to say:

The Austen Project was dreamt up by a very clever editor at Harper Collins who is now at Faber. Her idea was to emphasise the timelessness of Jane Austen’s characterisation by taking stories that had been written before 1815 and transposing them to 2013. So the aim was not so much to showcase modern writers, as to display the eternal genius of Jane Austen.

I not only think my novels would be very honoured to be rewritten in 200 years time, I think they would benefit! There is, after all, nothing new to say about the human condition that Sophocles or Shakespeare haven’t brilliantly said already. All writers do is reinterpret or translate those eternal truths about humanity for their own times. I am not of the school of writers who believes that we are inventors, as you will gather! And that explains why, when it came to updating Sense and Sensibility, I not only stuck to Jane’s narrative and characterisation like paint, I also stuck to her treatment of her characters. In Sense and Sensibility there are only two characters she does not tease – one is Elinor Dashwood and the other is Colonel Brandon – and I have treated them in the same way Jane does herself.

I started the project thinking she was a brilliant novelist. I ended the project believing she was a complete genius and nothing that has happened since has caused me to revise that opinion.

Continue reading Jane Austen News – Issue 61

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