In Jane Austen’s day, weddings were often held first thing in the morning, after which the bridal couple and their guests returned home to celebrate with a wedding breakfast like that served to Anna Austen and Benjamin Lefroy in 1814: “The breakfast was such as best breakfasts then were. Some variety of bread, hot rolls, buttered toast, tongue, ham and eggs. The addition of chocolate at one end of the table and the wedding-cake in the middle marked the speciality of the day.”
Though rich fruit and nut cakes had been used for centuries, in 1786 Elizabeth Raffald was the first to publish a recipe for a cake specifically for weddings. The cake was served not only at the wedding breakfast, but also shared with the household servants and sent in pieces to friends and relatives who had not attended the ceremony. These wedding cakes were single tiered, double frosted confections, though by no means small. Queen Victoria’s 1840 wedding cake measured 9 feet around and weighed 300 pounds, although it was only 14 inches high.
This recipe makes an enormous cake. I have quartered the ingredients and it fit nicely into my 12 ½cm/ 5in deep, 25cm /10in springform pan.
To Make a Bride Cake
Take four pounds of fine flour well dried, four pounds of fresh butter, two pounds of loaf sugar, pound and sift fine a quarter of an ounce of mace the same of nutmegs, to every pound of flour put eight eggs, wash four pounds of currants, pick them well, and dry them before the fire. Blanch a pound of sweet almonds, and cut them lengthways very thin, a pound of citron, one pound of candied orange, the same of candied lemon, half a pint of brandy; first work the butter with your hand to cream, then beat in your sugar a quarter of an hour, beat the whites of your eggs to a very strong froth, mix them with your sugar and butter, beat your yolks half an hour at least, and mix them with your cake, then put in your flour, mace and nutmeg, keep beating it well till your oven is ready, put in your brandy, and beat your currants and almonds lightly in, tie three sheet s of paper round the bottom of your hoop to keep it from running out, rub it well with butter, put in your cake, and lay your sweetmeats in three lays, with cake betwixt every lay, after it is risen and coloured, cover it with paper before your oven is stopped up; it will take three hours baking. – Elizabeth Raffald, The Experienced English Housekeeper, 1794
454 g / 16 oz / 4 cups Flour
454 g / 16 oz / 2 cups Butter
454 g / 16 oz / 2 cups Sugar
1/2 tsp Mace
1/2 tsp Nutmeg
8 Eggs, divided
454 g / 1 lb / 3 cups Currants
142 g / 5 oz / 1 cup Slivered Almonds
113 g / 4 oz / ½ cup Citron
113 g / 4 oz / ½ cup Candied Lemon peel
113 g / 4 oz / ½ cup Candied Orange peel
120 ml / ½ Cup Brandy or 1 oz Brandy extract plus Apple Juice to equal a ½ cup.
Whip the whites of 8 eggs to stiff peaks and set aside. With an electric mixer, cream together the butter, sugar and egg yolks. Once they are combined, fold in the egg whites, brandy or juice and spices. Add the flour a little at a time until it is incorporated. Stir in the almonds and currants.
Preheat the oven to 149° C / 300° F. Generously grease a tall 25cm / 10in springform pan. Spoon ¼ of the batter into the pan and top with 1/3 of the citron, orange peel and lemon peel. Repeat twice more and top with remaining batter.
Bake for 2 ½ hours, top with Almond and Sugar Icings (See Below)
Icings for the Bride-Cake
To make Almond-Icing for the Bride Cake
Beat the whites of three eggs to a strong froth, beat a pound of Jordan almonds very fine with rose water, mix your almonds with the eggs lightly together, a pound of common loaf sugar beat fine, and put in by degrees; When your cake is enough, take it out, and lay your icing on, then put it in to brown. ER
3 Egg whites* or Meringue Powder equivalent
283 g / 10 oz / 2 cups blanched almonds, ground to powder.
1 tbsp Rose Water
454 g / 16 oz / 2 cups powdered sugar
In a food processor, combine the almonds, rose water and sugar and set this aside. Whip the egg whites until stiff peaks form. Slowly add the almond mixture to the egg whites until incorporated. Spread this on the top of your cake as soon as you take it from the oven, and then return the cake to the oven until the top is lightly browned. Cool the cake slightly on a rack. Once the cake is cool enough to touch, slide a knife around the inside edge of the pan to loosen the cake. Remove the edge of the pan and ice the cake with Sugar Icing.
To Make Sugar Icing for the Bride Cake
Beat two pounds of double refined sugar, with two ounces of fine starch, sift it through a gauze sieve, then beat the whites of five eggs with a knife upon a pewter dish half an hour; beat in your sugar a little a t a time, or it will make the eggs fall, and will not be so good a colour, when you have put in all your sugar, beat it half an hour longer, then lay it on your almond iceing, and spread it even with a knife; if it be put on as soon as the cake comes out of the oven it will be hard by the time the cake is cold. ER
907 g /
32 oz/ 4 cups Powdered Sugar
4 tbsp Corn Starch
5 Egg whites* or Meringue Powder equivalent
Sift together the starch and powdered sugar and set aside. Whip the egg whites until stiff peaks form. Slowly add in the sugar mixture, while the mixer continues to whip the egg whites. If you add the sugar too fast the whites will fall and you will end up with a glaze instead of icing. Continue to whip the icing for a few more minutes until it is the consistency of marshmallow cream. Ice the cake using a large, flat spatula, creating whorls and swirls in the pattern. Allow to stand at room temperature for several hours so that the icing hardens. Decorate with fresh flowers, if desired.
*The consumption of raw egg whites can lead to food poisoning. Use meringue powder as a safe alternative.
Excerpted from Cooking with Jane Austen and Friends, by Laura Boyle. Laura is fascinated by all aspects of Jane Austen’s life. She is the proprietor of Austenation: Regency Accessories, creating custom hats, bonnets, reticules and more for customers around the globe. Cooking with Jane Austen and Friends is her first book. Her greatest joy is the time she is able to spend in her home with her family (1 amazing husband, 4 adorable children and a very strange dog.)
This Christmas I was given a copy of Hollie Keith’s book, So Jane: Crafts and Recipes for an Austen-Inspired Life. This little book is filled with projects, recipes and gift item ideas to fill every aspect of your home and life. While most of the projects are not Austen-era reproductions, they are modern interpretations which keep an eye on the past. Whimsical and romantic in nature, there are crafts and recipes for every age and skill level, along with a myriad of mediums to choose from.
Hand stitched, novel themed placemats share pages with dainty, appliqued egg cosies. I ♥ Darcy pillows and rose scented soaps share space with lacy aprons, wreaths and book marks. Vintage treasures, rejuventated “in a style entirely new” and new-on-the-market finds are combined with traditional craft supplies so that each project can be tailored to your personal whims and comfort level. Patterns and templates provided in the back of the book take the guesswork out of each set of instructions, while step by step photographs guide you through any difficulty.
The recipes in this book were curated by Jennifer Adams, no Austen newcomer herself. Jennifer is the author of Remarkably Jane: Notable Quotations on Jane Austen as well as the Little Miss Austen Baby Lit board books, published by the same company (Gibbs-Smith). Here, her 32 recipes, inspired by Jane Austen’s novels and time period, are broken into chapters with corresponding crafts and include breakfast, teatime, dinner, picnic, ball and cottage inspired meals.
The photographs by Susan Barnson Hayward are truly worth the proverbial thousand words, turning this fun little book into a work of art. Each page features several inspiring photographs not only of finished food and craft projects, but of individual steps along the way, making it both a beautiful display piece and practical how-to guide.
On the whole, you will find this to be a book you turn to again and again, if only for the sheer delight of flipping through its glossy, gorgeous pages. It will inspire you, as the title intimates, into a Jane Austen mindset, encouraging you to not only make your own works of art, but to see tools and supplies in everyday items, turning them into new pieces to beautify your home and share as gifts.
So Jane is now available from the Jane Austen Gift Shop here.
Laura Boyle is fascinated by all aspects of Jane Austen’s life. She is the proprietor of Austentation: Regency Accessories, creating custom hats, bonnets, reticules and more for customers around the globe. Cooking with Jane Austen and Friends is her first book. Her greatest joy is the time she is able to spend in her home with her family (1 amazing husband, 4 adorable children and a very strange dog.)
Boiled eggs have been a mealtime staple probably since boiling anything was invented. In fact, egg cups (you know what these are: those adorable little cups perfect for holding hard or soft boiled eggs) have been found during archaeological explorations of Crete dating to as early as the 18th century BC. An early silver version from 74 BC was even found in the ruins at Pompeii.
Soft boiled eggs were, by Jane Austen’s time, not only served at breakfast, as the broken egg shells on the table at Mansfield Park suggest, but also served throughout the day, as a healthy, plain food for children and invalids. In Emma, they are one of the few foods that even invalid Mr. Woodhouse can recommend with grace:
“Mrs Bates, let me propose your venturing on one of these eggs. An egg boiled very soft is not unwholesome. Serle understands boiling an egg better than any body. I would not recommend an egg boiled by any body else; but you need not be afraid, they are very small, you see — one of our small eggs will not hurt you.”
Soft boiled eggs in adorable cups, with, perhaps, little hats or “cosies” on top are a favorite childhood memory for many. Paired with hot, buttered toast “soldiers” (narrow strips of toast for dunking in the runny yolk) they can make the most important meal of the day a comfort food feast.
To make soft boiled eggs, bring 3 inches of water to a boil in a small sauce pan. Once the water is rolling, turn down the heat to a simmer and add your eggs, allowing them to cook for six minutes (you may wish to set a timer) Remove the eggs to an ice water bath (a bowl of ice water will do) to halt the cooking process while you make and butter your toast. It couldn’t be simpler.
Laura Boyle is fascinated by all aspects of Jane Austen’s life. She is the proprietor of Austenation: Regency Accessories, creating custom hats, bonnets, reticules and more for customers around the globe. Cooking with Jane Austen and Friends is her first book. Her greatest joy is the time she is able to spend in her home with her family (1 amazing husband, 4 adorable children and a very strange dog.)
For some people, Christmas is all about the foods, for others, a single piece of candy cane or the scent of pine can bring them back to their childhood holidays. It is no stretch to suggest that the Candy Cane is one of the most Christmasized of all candies– probably because it was created for the season and is fraught with meaning for those who choose to look for it.
According to legend, they have a German history, but given the German origins of the British monarchy during Jane Austen’s life, it’s not a stretch to think that the treat might have been brought over to England, along with the Christmas tree and other, older traditions, like the Yule Log. Did Jane enjoy stick candy or candy canes? We may never know.
“According to folklore, in 1670, in Cologne, Germany, the choirmaster at Cologne Cathedral, wishing to remedy the noise caused by children in his church during the Living Crèche tradition of Christmas Eve, asked a local candy maker for some sweet sticks for them. In order to justify the practice of giving candy to children during worship services, he asked the candy maker to add a crook to the top of each stick, which would help children remember the shepherds who paid visit to infant Jesus. In addition, he used the white colour of the converted sticks to teach children about the Christian belief in the sinless life of Jesus. From Germany, the candy canes spread to other parts of Europe, where they were handed out during plays reenacting the Nativity. As such, according to this legend, the candy cane became associated with Christmastide.
A recipe for straight peppermint candy sticks, white with coloured stripes, was published in 1844 in The Complete Confectioner, Pastry-cook, and Baker: Plain and Practical, by Eleanor Parkinson. The “candy cane” has been mentioned by name in literature since 1866.
Chicago confectioners the Bunte Brothers filed one of the earliest patents for candy cane making machines in the early 1920s. Meanwhile, in 1919 in Albany, Georgia, Bob McCormack began making candy canes for local children. By the middle of the century his company (originally the Famous Candy Company, then the Mills-McCormack Candy Company, and later Bobs Candies) had become one of the world’s leading candy cane producers. But candy cane manufacturing initially required a fair bit of labor that limited production quantities. The canes had to be bent manually as they came off the assembly line in order to create their ‘J’ shape, and breakage often ran over 20 percent. It was McCormack’s brother-in-law, a seminary student in Rome named Gregory Harding Keller, who used to spend his summers back home working in the candy factory. In 1957, as an ordained Roman Catholic Christian priest of the Diocese of Little Rock, Keller patented his invention, the Keller Machine which automated the process of twisting soft candy into spiral striping and then cutting them into precise lengths as candy canes.
In celebration of Saint Nicholas Day, December 6, candy canes are given to children as they are also said to represent the crosier of the Christian bishop, Saint Nicholas; crosiers themselves allude to the Good Shepherd, a title associated with Jesus.”
Pulled Peppermint Candy Sticks (1844)
Clove, Ginger, or Peppermint Candy.—These are all made in the same way as raspberry, using the essential oil of each for flavour. For clove, the mixture, whilst boiling, is coloured with cochineal; ginger with saffron; but the peppermint must be kept perfectly white, except the stripes, which is done by cutting off as many pieces from the bulk as you have colours, which should be in powder; put a sufficiency in each piece to give the desired tint, and keep them warm. When the remaining portion of the sugar is pulled, lay them over the surface in narrow stripes, double the roll together, and the face each way will be alike. Pull them out into long sticks, and twist them; make them round by rolling them under the hand, or they may be cut into small pieces with a pair of shears or scissors.
Raspberry Candy.—This may either be made from raw or refined sugar. Boil it to the crack, and colour it with cochineal; pour it on a stone rubbed over with a little oil or butter, cut off a small piece, and keep it warm to stripe or case the other part, when finished; to the remainder add a little tartaric acid (not so much as for drops), and some raspberry-paste, sufficient to flavour it. The residue of raspberries used for making vinegar, and preserved with an equal quantity of sugar, or even less, as for raspberry cakes, does very well for this purpose. Fold the edges over into the centre, and attach it to a hook fixed against the wall: pull it towards you, throwing it on the hook each time after having pulled it out; continue doing this until it gets rather white and shining, then make it into a compact long roll, and either stripe it with the piece you cut off, or roll it out in a sheet with a rolling-pin, and wrap it round it so as to form a sort of case; then pull it into long narrow sticks, and cut them the required length.
Historical information from Wikipedia.com, recipe from The Complete Confectioner, Pastry-cook, and Baker: Plain and Practical, by Eleanor Parkinson.
A Sally Lunn is a large bun or teacake made with a yeast dough including cream, eggs, and spice, similar to the sweet brioche breads of France. Served warm and sliced, with butter, it was first recorded in 1780 in the spa town of Bath in southwest England, though it is not the same as Dr. Oliver’s Bath Bun.
The origins of the Sally Lunn are shrouded in myth – one theory is that it is an anglicisation of “Sol et lune” (French for “sun and moon”), representing the golden crust and white base/interior. The Sally Lunn Eating House claims that the recipe was brought to Bath in the 1680s by a Huguenot refugee called Solange Luyon, who became known as Sally Lunn, but there is no evidence to support this theory.
There is a passing mention of “Sally Lunn and saffron cake” in a 1776 poem about Dublin by the Irish poet William Preston. The first recorded mention of the bun in Somerset is as part of a detox regime in Philip Thicknesse’ 1780 guidebook to taking the waters at Bath. Thicknesse describes how he would daily see visitors drinking 2-3 pints of Bath water and then “sit down to a meal of Sally Lunns or hot spungy rolls, made high by burnt butter!”. He recommends against the practice as his brother died after this kind of breakfast- “Such a meal, few young men in full health can get over without feeling much inconvenience”.
There is little historical evidence for Sally Lunn as a person. The Gentleman’s Magazine of 1798 uses Sally Lunn as an example during a discussion of foods named after people – ‘a certain sort of hot rolls, now, or not long ago, in vogue at Bath, were gratefully and emphatically styled “Sally Lunns”‘. But it is not until 1827 that a historical person is described by a correspondent of William Hone using the pseudonym “Jehoiada”, who says she had sold the buns on the street “about thirty years ago”. A baker called Dalmer had bought out her business and made it highly successful after he composed a special song for the vendors, who sold the buns from mobile ovens. The earliest evidence of commercial production is an 1819 advert for the Sally Lunn “cakes” sold by W. Needes of Bath, bread and biscuit maker to the Prince Regent.
The Sally Lunn is mentioned alongside muffins and crumpets by Charles Dickens in The Chimes (1845). The same year Eliza Acton gave a recipe in Modern Cookery for Private Families, describing it as a version of “Solimemne – A rich French breakfast cake, or Sally Lunn”. Solilemmes is a kind of brioche that is served warm and popularised by the great Parisian chef Marie-Antoine Carême in a book of 1815. Carême claimed the “solilem” originated in Alsace but there is no evidence to support that claim; he may have taken the idea from contacts in Bath and then tried to disguise the origins of a recipe that came from France’s great enemy.
The medieval building now known as the Sally Lunn Eating House is at 4 North Parade Passage (formerly Lilliput Alley) in Bath ( The site was originally occupied by the south range of Bath Abbey and the lowest floor level dates to the reconstruction of the abbey after a great fire in 1137. The masonry oven in the basement dates from this time. After the Reformation it came into the hands of the Colthurst family of Wardour Castle who sold it to John Hall of Bradford on Avon in 1612. In 1622 Hall leased the site to George Parker, a carpenter who built the current house. The Hall estate was later acquired by the 2nd Duke of Kingston, who sold the house to William Robinson in 1743. There may have been baking on a small scale during the 1700s but it only became the main commercial use of the building around the turn of the century. ).
The building was acquired in the 1930s by Marie Byng-Johnson who opened it as a tea-room specializing in Sally Lunn buns, promoted with a story that she had discovered an ancient document in a secret panel above the fireplace explaining that Mlle. Sally Lunn was a young French Huguenot refugee who brought the recipe to Bath around 1680. The building is now Grade II.
This original recipe for Sally Lunn Buns comes in verse form from ‘The Monthly’ Magazine, vol 2, 1796. It is reminiscent of Mrs. Austen’s boiled pudding poem.
RECEIPT TO MAKE A SALLY LUN
A well-known cake at Bath
Written by the late Major DREWE, of Exeter
NO more I heed the muffin zest
The Yorkshire cake or bun
Sweet Muse of Pastry teach me how
To make a Sally Lun.
Take thou of luscious wholesome cream
What the full pint contains
Warm as the native Mood which glows
In youthful virgin’s veins
Hast thou not seen in olive rind
The wall-tree’s rounded nut
Of juicy butter just its size
In thy clean pastry put
Hast thou not seen the golden yolk
In Chrystal shrine immur’d
Whence brooded o’er by sostring wing
Forth springs the warrior bird?
Oh save three birds from savage man
And combat’s sanguine hour
Cush in three yolk, the seeds of life
And on the butter pour
Take then a cup that hold the juice
Fam’d China’s fairest pride
Let foaming yeast its concave fill
And froth adown its side
But seek thou first for neatness sake
The Naiad’s crystal stream
Swift let it round the concave play
And o’er the surface gleam
Of salt more keen than that of Greece
Which cooks not poets use
Sprinkle thou then with sparing hand
And thro the mass diffuse
Then let it rest disturb’d no more
Safe in its steady feat
Till thrice Time’s warning bell hath struck
Nor yet the hour compleat
And now let Fancy revel free
By no stern rule confin’d
On glittr’ing tin in varied form
Each Sally-Lun be twin’d
But heed thou west to lift thy thought
To me thy power divine
Then to the oven’s glowing mouth
The woud’rous work consign
To make a Sally Lunn, dissolve three ounces of good butter, cut small, in less than half of the milk with which the sponge is to be set; cool it down with the remainder; and, if a sweetened preparation be liked, stir three ounces of pounded sugar to the flour before it is moistened; pour gradually the milk and butter to the yeast, of which there must be a full ounce, and proceed in all else as above. Three hours will sometimes be required to bring this sponge to its height. When it is ready add the second pound of flour to it, put it into a round buttered tin or tins, which it should not more than half fill, and when it has risen nearly to the edge let it be put without delay into the oven, and baked a nice brown. An egg or two, when they are considered requisite, can be mixed with the milk and butter either for the Sally Lunn, or to convert the dough into buns; but, to allow for the addition, a few spoonfuls of the milk should be omitted. Carrawayseeds, currants, or candied citron or orange-rind, can be kneaded in with the other ingredients when the second pound of flour is mixed with the sponge, or immediately after it is worked in. Two or three ounces more of sugar may, for many tastes, be thought needful for the buns.
Bread.— Best flour, 1 lb.; new milk, 1 pint; little salt; German yeast, £ oz., to rise 2 hours or more; or yeast, 1 oz., 1 to 2 hours. Flour, 1 additional lb.; to rise 1/2 to 3/4 hour.
Sally Lunn. — Flour, 1 lb.; butter, 3 oz.; pounded sugar, 3 oz.; German yeast, full ounce; 2 to 3 hours, or until extremely light. Flour, in addition, one pound; to stand in tins until risen to their edges.
Buns.—Butter, yeast, and milk, as above, with an addition of sugar and an egg or two at pleasure; carraway-seeds, 1 oz.; or currants, 1/2 lb.
Information and photos from Wikipedia.com
Many food items are named according to their birthplace, such as Bath Buns or Yorkshire Pudding. Banbury was a market town which also gave it’s name to the phrase, “A Banbury story of a cock and a bull”. Made famous in Regency circles by Georgette Heyer, it dates to at least the 1600’s and is mentioned in the 1811 Dictionary of the Vulgar Tongue by Francis Gros. Its most common meaning is “A far-fetched and fanciful story or tale of highly dubious validity“. It is also sometimes shortened to “a Banbury tale” or simply “a Banbury” and most often “a cock and bull story”.
A Banbury cake is a spiced, currant-filled, flat pastry cake similar to an Eccles cake, although it is more oval in shape. Once made and sold exclusively in Banbury, England, Banbury cakes have been made in the region to secret recipes since 1586 or earlier and are still made there today, although not in such quantity. The cakes were once sent as far afield as Australia, India and America.
Banbury cakes were first made by Edward Welchman, whose shop was on Parsons Street. Documented recipes were published by Gervase Markham and others during the 17th century. These recipes generally differ largely to the modern idea of a Banbury cake, in terms of their size, the nature of the pastry, and how the cake is made. In the late 19th century, the notorious refreshment rooms at Swindon railway station sold “Banbury cakes and pork pies (obviously stale)”.
Besides currants, the filling typically includes mixed peel, brown sugar, rose water, rum, and nutmeg. Banbury cakes were traditionally enjoyed with afternoon tea.
According to The History of Banbury by Alfred Beesley (1841),
“If the fame of Banbury Cheese has so nearly departed, that of Banbury Cakes, recorded from the days of Philemon Holland and Ben Jonson (in 1608 and 1614), has continued till the present time. Mr. Samuel Beesley, the proprietor of the cake shop which in the last century was conducted by the White family,8‘ sold, in 1840, no fewer than 139,500…
It is probable that the Banbury Cakes of the present day are made pretty nearly the same as those of the time of Holland and Ben J on son. The present Mr. Dumbleton (who was bom in 1765) remembers this sort of Cakes as being considered an antiquated production in the days of his youth; and he states that his father, who was born in the year 1700, spoke of them in the same way. The importation to this country of those small grapes which are the “currants” of commerce, and which are used in the manufacture of Banbury Cakes, was much earlier than this period. Ben Jonson (in his ” Bartholomew Fair **) writes of the Banbury Puritan, a baker and cake-maker, as having “undone a grocer here, in Newgate market, that broke with him, trusted him with currants, as arrant a zeal as he.”
The Cakes are of an oval, but rather diamond-shaped, figure: the outside is formed of rich paste, and the interior consists of fruit, &c, resembling the contents of a mince pie.
This 1615 recipe from Gervase Markham’s The English Huswife, Containing the Inward and Outward Virtues Which Ought to Be in a Complete Woman is probably quite close to the original recipe. For a modern version, though, try Dan Lepard’s “Jacobean Banbury Cakes“. Elena Greene offers a more modern (1825) version on her blog, Risky Regencies.
Historical information from Wikipedia.com
Imagine eating white soup with Mr. Darcy, roast pork with Miss Bates, or scones with Mr. Collins! Just thinking of those dishes transports me back into the scenes in Jane Austen’s novels and makes me smile. In Dinner with Mr. Darcy, food historian Pen Vogler examines Austen’s use of food in her writing, researches ancient Georgian recipes, converting them for the modern cook.
Even though Austen is not known for her descriptive writing, food is an important theme in her stories, speaking for her if you know how to listen. Every time we dine with characters, or food is mentioned, it relays an important fact that Austen wants us to note: wealth and station, poverty and charity, and of course comedy. While poor Mr. Woodhouse frets over wedding cake in Emma, Mr. Bingley offers white soup to his guests at Netherfield Park in Pride and Prejudice, and Aunt Norris lifts the supernumerary jellies after the ball in Mansfield Park, we are offered insights into their characters and their social station.
In Austen’s letter she writes to her sister Cassandra about many domestic matters: clothes, social gatherings and food. When she mentions orange wine, apple pie and sponge cake we know it is of importance to her.
“I hope you had not a disagreeable evening with Miss Austen and her niece. You know how interesting the purchase of a sponge-cake is to me.” – Jane Austen in a letter to her sister Cassandra, 15 June 1808
Vogler has combed Austen’s novels, letters and juvenilia pulling out dishes and researching them in contemporary cookbooks from the Georgian era. The sections are cleverly arranged: Breakfast with General Tilney; Mrs. Bennet’s Dinner to Impress; Pork and Apples: An Autumn Dinner with the Bateses; Jane’s Family Favorites; The Picnic Parade; Tea and Cake; The Ball at Netherfield; An Old-fashioned Supper for Mr. Woodhouse; Christmas with the Musgroves and Other Celebrations; Gifts, Drinks, and Preserves for Friends and the Sick at Heart. The recipes have been converted for the modern cook and look sumptuous from the numerous full-color pictures. I am dying to try Sally Lunn Cakes, a recipe from the famous bakery and tea shop in Bath, everlasting syllabub, ragout veal, Mrs. Austen’s pudding, rout cakes, white soup, flummery and many others. Several of the recipes have been adapted from Martha Lloyd’s household cookbook, Jane’s dear friend and confidante, who lived with the widowed Mrs. Austen and her daughters from 1807 until her marriage to Jane’s widowed elder brother Sir Francis Austen in 1823 at the age of 62! The bibliography in the back is also a great resource for those interested in Georgian cooking and its history.
While there are other scholarly books devoted to Georgian cooking focusing on Jane Austen such as The Jane Austen Cookbook, by Maggie Black and Deidre Le Faye (1995) and Jane Austen and Food, by Maggie Lane (1995), which we will be reviewing next month, Dinner with Mr. Darcy will appeal to the average cook who wants to experience what Austen and her characters ate and enjoyed, and discover why Austen’s choice of food and dining was so important to the plot development. The recipes are both simple and elaborate and the ingredients are available to most, even in the colonies! So if you are ready for your own picnic at Box Hill or supper at Pemberley, bon appetite!
Dinner with Mr. Darcy: Recipes Inspired by the Novels and Letters of Jane Austen, by Pen Vogler
Cico Books (2013)
Hardcover (160) pages
A life-long acolyte of Jane Austen, Laurel Ann Nattress is the editor of the short story anthology Jane Austen Made Me Do It, and Austenprose.com, a blog devoted to the oeuvre of her favorite author and the many books and movies that she has inspired. She is a life member of the Jane Austen Society of North America, a regular contributor to the Jane Austen Centre online magazine. An expatriate of southern California, Laurel Ann lives in a country cottage near Snohomish, Washington where it rains a lot. Visit Laurel Ann at her blog Austenprose – A Jane Austen Blog, on Twitter as @Austenprose, and on Facebook as Laurel Ann Nattress.
This review originally appeared on Austeprose.com and is used here with permission.