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The Sheet Music for Austen Film Scores

Jane Austen loved to play the pianoforte. She used to copy out music from her friends into books that remain in the Chawton House library to this day. Many of these pieces- classics by Bach, Mozart, Handel and others – are readily available for today’s musicians. If you want to try your hand yourself, A Carriage Ride In Queen’s Square, a wonderful compendium of original ‘easy to play piano pieces for Jane Austen’s Bath’ with a playalong CD included, is currently available from the Jane Austen Gift Shop.

But what if you want to play music from the movie soundtracks?

Jane Austen's WorldSurely these evoke the spirit of Jane Austen at least as much as the period pieces. Fortunately, many of these- from the original dances used in the movies- to sheet music of the film scores are easily obtained.

Perhaps the most comprehensive collection of works is Jane Austen’s World published by Faber music. It includes:

Emma by Rachel Portman-
Frank Churchill Arrives
Emma (End Titles)

Sense and Sensibility by Patrick Doyle-
My Father’s Favourite
Devonshire
All The Better For Her
Excellent Notion
The Dreame

Pride and Prejudice by Carl Davis
Pride & Prejudice Theme
Canon Collins
The Gardiners
Summary

Persuasion by Jeremy Sams
Persuasion Main Theme
Tristesse
Italian Aria


Jane Austen, The Music
Another book, Jane Austen, the Music  includes a greater range of pieces from both Pride and Prejudice and Sense and Sensibility.
Its contents are:

Sense and Sensibility
Weep You No More, Sad Fountains
A Particular Sum
My Father’s Favourite
Patience
All the Delights of the Season
Steam Engine
Willoughby
Excellent Notion
Combe Magna
There is Nothing Lost
The Dreame

Pride and Prejudice
Opening Title Music
Elizabeth Observed
Canon Collins
The Gardiners
Rosings
Farewell to the Regiment
Pemberley
Thinking About Lizzy
Lydia’s Wedding
Double Wedding

Single sheets for Weep You No More Sad Fountains and My Father’s Favorite are available from the Hal Lenoard Corp. Additionally, music for just Sense and Sensibility, more recently, Pride and Prejudice (2005) and Becoming Jane have also been published. Of course, this only covers the pieces written for the films. For a list of classical music used in the movies (including many Bach and Chopin pieces in Persuasion and Mozart in Pride and Prejudice) and ordering information for all these pieces, visit the Republic of Pemberley’s Music page. For printable country dances, try Christ Peterson’s Traditional Music Page.

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The Pride and Prejudice Soundtrack

The Pride and Prejudice Soundtrack

By Dario Marianelli

Before filming ever began on Joe Wright’s Pride and Prejudice, he knew the type of soundtrack he wanted—and he knew who he wanted to write it: Dario Marianelli, best known for his scores for The Brothers Grimm and I Capture the Castle. Wright wanted music that would sound appropriate for the period—something Jane Austen herself, might have listened to or played; music that would seem not to be written for the movie, but taken from life.

Since the film is set in 1797, the same year that Jane Austen wrote the first draft of Pride and Prejudice, Marianelli found inspiration not only in the composers of the time, but also in dances, chamber pieces and Beethoven’s piano Sonatas. At times haunting and lonely, at others lilting and flirtatious, his music is the perfect accompaniment to Jane’s own “two or three families in a country village.” In keeping with that feeling,Marianell never uses more than three or four instruments at a time, performed by French pianist Jean-Yves Thibaudet and the English Chamber Orchestra. Often we are treated to piano solos, which become Elizabeth Bennet’s voice on her journey towards self discovery.

As in Nick Dear’s 1995 version of Persuasion, Joe Wright has chosen to show us less of the “light, bright and sparkling” and more of the grime of life. Pigs do wander into gardens and people do forget to comb their hair. We are given a more accurate portrait of true Georgian life, rather than the shiny image we like to imagine. And yet, perhaps this adds to the realism of the piece, as if, some how, these characters might be real people, their pain and triumphs as deeply felt as yours or mine.

And the similarities do not end there. Composers for both films found ways to incorporate period pieces into their music, underscoring their historic feel. As Jeremy Sams did with Chopin’s piano sonatas, so Marianelli mixes in bits of Purcell and militia music into his score. However, he does it with such grace and dexterity, it’s difficult to discover where this music lets off and his music picks up. Although the main theme often reminds us of that ofMansfield Park or Mrs. Dalloway, in the end Pride and Prejudice has a sound all it’s own.

Through the 17 tracks provided, we are given a summary of the story from Elizabeth’s point of view. We can hear the excitement of the Militia Marching In to Meryton, the pain and pleasure of Another Dance, the kinship Elizabeth finds with Georgiana when she discovers her at the piano, the tension Darcy’s Letter brings, and at last, Elizabeth’s joy as she revels in being Mrs. Darcy.

Tracks include:

  1. Dawn
  2. Stars And Butterflies
  3. The Living Sculptures Of Pemberly
  4. Meryton Townhall
  5. The Militia Marches In
  6. Georgiana
  7. Arrival To Netherfield
  8. A Postcard To Henry Purcell
  9. Liz On Top Of The World
  10. Leaving Netherfield
  11. Another Dance
  12. The Secret Life Of Daydreams
  13. Darcy’s Letter
  14. Can’t Slow Down
  15. Your Hands Are Cold
  16. Mrs. Darcy
  17. Credits

Format: Audio CD
Number of Discs: 1
Label: Ucj/Decca
List Price: £12.75 /$18.98

This title can be found in our online giftshop by clicking on this link.


Laura Boyle is a fan of all things Austen and is happy to have the chance to review this CD. She also runs Austentation: Regency Accessories, creating custom made hats, bonnets, reticules and more for customers around the globe.

Special thanks to Ron Aylor for his help in discovering the name of the militia march played on this CD (The Militia Marches In) Mr. Aylor hosts the British Regimental Drums and Colours site. The name of the tune is The British Grenadiers. The Grenadier Guards were the royal household regiment and partook in many historic battles. This is their regimental march. One of the most recognizable regimental marches, it first appeared in print in 1775, though it was based on “The New Bath” a piece found in one of Playford’s dance books of the 1600’s.