Emma. The book of books. A remarkable novel where when a story or character suggestively goes through Emma’s mind since she half-gets it wrong, and sees it partially, we are invited to imagine it whole—so one novel becomes many in potential. Like all the other latest Oxfords, the text here is a reprint of the 1971 text edited by James Kinsley (basically an emended reprint of Chapman’s 1923 text as revised by Mary Lascelles). As with Pride and Prejudice, there is no alternative first text as there is no manuscript and Austen died before a second edition could even be thought of. Like latest reprints of Sense and Sensibility and Pride and Prejudice, we also get exactly the same supplemental materials: brief biographical note, bibliography, chronology, and (by Vivien Jones) appendices on rank and social status and on dancing. The notes are a reprint of the 2003 notes Adele Pinch wrote. Adela Pinch’s introduction to the latest 2008 Oxford reprint of Emma emphasizes how different Emma seemed to most novels to readers of the era; Pinch tells us how bored Edgeworth said she felt in a letter to a friend. Since it was Austen who sent a copy of her book to Edgeworth (probably out of pride in an achievement), I, for one, prefer to assume this comment never got round to Austen. Not that Austen is herself shy of criticizing other novelists harshly or (at least in her letters to her sister) at all unsure of the high and
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